Journalist
Choi Song-hui
alfie312@ajunews.com
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BTS to Perform at 2026 World Cup Halftime Show with Madonna and Shakira BTS will take the stage at the halftime show of the 2026 FIFA North America World Cup final. This marks the first time a halftime show will be held during a FIFA World Cup final, with BTS co-headlining alongside Madonna and Shakira.According to Global Citizen and FIFA on May 14, BTS will perform at the halftime show on July 19 at the New York New Jersey Stadium.FIFA and Global Citizen aim to expand their reach to global audiences through a performance that combines sports, music, and culture. The event will also promote the FIFA Global Citizen Education Fund, which seeks to enhance access to quality education and sports for children in underserved communities worldwide.BTS expressed their excitement through their agency, Big Hit Music, stating, "It is a great honor to perform on such a meaningful stage that brings the world together. We believe music is a universal language that conveys hope and unity. It is even more significant to share this message with global audiences through the World Cup and contribute to expanding educational opportunities for children."The halftime show will be produced by Global Citizen and broadcast live worldwide, featuring Chris Martin of Coldplay as the curator. Characters from 'Sesame Street' and 'The Muppets' will also be part of the lineup, promising a performance enjoyable for all generations.BTS has a history of collaboration with Global Citizen. The group performed at Global Citizen LIVE in 2021, and Jungkook took the stage at the Global Citizen Festival in 2023. He also contributed to the official soundtrack 'Dreamers' for the 2022 Qatar World Cup and performed at the opening ceremony.BTS is currently on a world tour, having recently held concerts in Mexico City at Estadio GNP Seguros on May 7 and 9-10, where they met with approximately 150,000 fans. This marked their first full group concert in Mexico in nearly 10 years, with all three shows sold out.Following their Mexico performances, BTS will continue their world tour with shows at Stanford Stadium on May 17-18 and 20.* This article has been translated by AI. 2026-05-14 14:50:32 -
'Michael' Tops Box Office on Opening Day with 100,000 Viewers On its opening day, the film 'Michael' secured the top spot at the box office.According to the Korean Film Council's integrated ticketing system, 'Michael,' which premiered the previous day, attracted 99,903 viewers, making it the number one film. The cumulative audience count stands at 118,493.'Michael' depicts the journey of Michael Jackson, who astonished the world with his innate musical talent and rose to become the King of Pop. The film, featuring legendary music and performances, drew audiences from its first day of release.In second place at the box office is 'The Devil Wears Prada 2,' which was viewed by 29,970 people during the same period, bringing its total audience to 1,299,742.The Korean film 'Salmon' maintained its position in third place with 16,444 viewers, accumulating a total of 3,067,181. Even in its sixth week of release, it continues to perform well at the box office.To celebrate surpassing 3 million viewers, 'Salmon' is hosting a special promotion in collaboration with Lotte Cinema, offering tickets for 300 won. Audiences can download promotional coupons from the Lotte Cinema website and app to purchase tickets for the Culture Day screening on the 13th at this discounted rate. Coupons are available on a first-come, first-served basis.'Salmon' is a horror film that unfolds after a filming crew encounters something dark and deep in a reservoir while attempting to reshoot after capturing an unidentified figure on a road view.* This article has been translated by AI. 2026-05-14 11:24:23 -
Kim Min-ha's 'Student Teaching' Challenges Conventional Cinema "It's romantic. The lighting, temperature, humidity..." This is a remark made by a participant on a variety show. It suggests that elements like location, weather, and physical condition all contribute to creating an 'atmosphere.' The same applies to film. The mood of the day and personal experiences can serve as 'evaluation criteria' for a movie. In this way, 'Choi's Review' is a segment that introduces films to audiences through the author's experiences and perspectives, aiming for a more relaxed and everyday approach. (Editor’s Note) There is no middle ground. Viewers either passionately love or completely fail to understand Kim Min-ha's films. From the short film 'Burger Song Challenge' to the feature debut 'Amoeba Girls and School Ghost Stories: Founding Day' and now 'Student Teaching,' Kim's work consistently sparks intense 'taste battles.' The director shows no willingness to compromise on her unique and charming rhythm. The story follows Eun-kyung (played by Han Sun-hwa), a 'MZ student teacher' who returns to her alma mater with lofty ambitions and a sense of duty. Despite her pure passion for teaching, she faces the harsh realities of a crumbling educational system. One day, she encounters three girls from a mysterious black magic club, 'Kuroi Sora'—Aoi (Hong Ye-ji), Riko (Lee Yeo-reum), and Haruka (Lee Hwa-won)—and senses they are involved in a troubling incident. It is revealed that these top students, who never miss a national mock exam, have their souls bound to a yokai in exchange for answers. To protect her precarious students, Eun-kyung willingly plunges into a deadly mock exam orchestrated by the 'College Entrance Exam Ghost.' 'Student Teaching' twists the conventions of horror to fuel its comedy. While continuing the trajectory of her previous works, it collides the tropes of horror with the rhythm of comedy, subverting even its roughness into a meticulously crafted aesthetic. Kim Min-ha's unique signature lies in her ability to push excess not as a flaw but as a distinctive language. She cleverly navigates production budget limitations with inventive directorial choices, utilizing pixel art and animation to create the film's hip and kitschy texture. The characters, who exist outside of reality, and the deliberately rough dialogue draw the audience into this bizarre world from the very beginning. Accepting Kim's 'universe' offers viewers a liberating experience amidst the chaotic and crude elements. Under the term 'horribly lovely,' the film plays with horror and charm, yet its message is heavier than in previous works. As Kim stated, "I wanted to create a film that is funny but not foolish," the comedy's exterior conceals a critique of contemporary issues. It sharply reflects the shadows of a crumbling educational system and the expanding private tutoring market, alongside the historical context of the 'Seodang Hunt' during the Japanese colonial period, aimed at undermining Korean education. The previous film, 'Amoeba Girls and School Ghost Stories: Founding Day,' attracted only 30,000 viewers, making a sequel unlikely. However, the audience breathed new life into this niche world. The film gained traction on OTT platforms as a 'Girls Night Movie,' forming a fanbase that spurred further production. 'Student Teaching' is essentially a response summoned by the audience. This sentiment resonates throughout the film. The portrayal of marginalized girls supporting each other mirrors how audiences have sustained this film series. The journey of these incomplete beings embracing one another as they navigate societal absurdities offers a comforting presence that surpasses hasty admonitions. The chemistry among the cast is also noteworthy. Han Sun-hwa, as Eun-kyung, effectively anchors the narrative. Having established a unique presence through dramas like 'Drinking City Women' and films such as 'First Ride' and 'Pilot,' she faithfully embodies Kim Min-ha's vision, creating a solid bridge between the audience and the work. The trio from 'Kuroi Sora'—Hong Ye-ji, Lee Yeo-reum, and Lee Hwa-won—along with Yoo Seon-ho as 'Idainashi,' also enhance audience immersion with their excellent character portrayals. 'Student Teaching' may not satisfy everyone. However, it relentlessly pursues its unique taste and ultimately garners a response. This stubborn sincerity becomes a gentle black magic that willingly offers companionship to all incomplete beings traversing their own tunnels. The film is set for a solo release at CGV on May 13, with a runtime of 94 minutes and a rating of 12 and older.* This article has been translated by AI. 2026-05-13 18:38:59 -
CRAVITY: A Journey of Growth Through Change Every day, dozens of songs and works are created. Music, drama, and films are introduced through countless media, but what reaches the public is often less than half. The artists who sing and act face similar challenges. Despite their exceptional talents, they are frequently undervalued or go unnoticed. Artist Spotlight is a segment dedicated to introducing artists from various fields and exploring their growth. It is also a heartfelt tribute to these artists. Editor’s Note"Where is the flower that blooms without shaking?"Every record of growth is completed through moments of instability. This has been true for the group CRAVITY as well. The nine boys who debuted in 2020 as 'super rookies' have now entered a phase of redefining themselves rather than following a path laid out by others. Their rebranding with 'Dare to Crave' signifies that change is not merely about adopting a new facade. It involves acknowledging their own 'cravings' and cautiously stepping toward their desires. After a period of running forward, CRAVITY finally looks back at 'themselves.' Instead of erasing their instability, they embrace it as part of their identity. 'ReDeFINE' represents the most honest present CRAVITY has reached.CRAVITY is a nine-member boy group under Starship Entertainment. The group's name combines 'Creativity' and 'Gravity,' symbolizing the synergy of diverse members coming together to draw fans into their unique world. They also express their ambition to become the 'Center of Gravity' in the K-pop scene. Following their second studio album 'Dare to Crave,' interpretations of the name have evolved to include 'Crave' and 'Gravity,' reflecting a deeper meaning that now encompasses their inner drive. CRAVITY's narrative has gradually expanded within their albums. Their debut series 'HIDEOUT' depicted boys stepping into an unfamiliar world, discovering each other, and uniting through empathy. Their first full album, 'The Awakening,' spoke of subsequent enlightenment and breakthroughs. Their determination to not be halted by external pressures was expressed in the energetic track 'Gas Pedal,' while 'LIBERTY: IN OUR COSMOS' expanded the story to one of reclaiming freedom and hope through darkness. Following this, 'NEW WAVE' and 'SUN SEEKER' further highlighted the energy of youth and the quest for individual paths. The boys who once sought freedom and hope in an unfamiliar world have now grown closer to a more realistic portrayal of youth.This narrative has also translated into their performances and achievements. Despite debuting during the pandemic, CRAVITY swept several rookie awards and expanded their fandom through their self-produced reality show 'CRAVITY Park,' showcasing their dynamics and relationships. Their victory in 'Road to Kingdom: Ace of Ace,' their entry into a handball stadium five years after debut, and various performance awards demonstrate that they are not just a team that has endured but one that has proven itself through results. For CRAVITY, growth has been about enduring time and proving themselves on stage.The changes became particularly evident with their second studio album, 'Dare to Crave.' While previous works showcased the energy of boys racing toward an unfamiliar world, this album delves into the emotions that drive that energy. It centers on the cravings faced between escape and confrontation, capturing the desire to move forward even when one is unsure of what they want. All members participated in songwriting, and the introduction of unit formations marks a significant shift.This momentum continues through 'Dare to Crave: Epilogue' and into their eighth mini-album, 'ReDeFINE.' 'ReDeFINE' represents the most crucial present CRAVITY faces after rebranding. It tells the story of youth that acknowledges instability yet rises again. Rather than focusing on how to avoid falling, it illustrates how to rise after a fall, revealing where CRAVITY stands now and the mindset they carry toward the future.CRAVITY will continue to experience fluctuations in their journey. Nevertheless, they will not stop. Their ability to confront anxiety and find their place amid instability has shaped the CRAVITY we see today. 'ReDeFINE' is the album that best showcases this attitude. It reflects a present where they strive to maintain their identity even while navigating through uncertainty. Having traversed this journey, CRAVITY's current state has become even more complete. There is no flower that blooms without shaking. CRAVITY will ultimately embrace the next season.* This article has been translated by AI. 2026-05-11 13:48:34 -
Foreign Films Dominate Box Office After Holiday Weekend Despite the end of the holiday weekend, foreign films continued to perform strongly at the box office. During the weekend of May 8 to 10, "The Devil Wears Prada 2" and "Super Mario Galaxy" secured the top two spots, while the Korean horror film "Salmon" ranked third, maintaining its long-term success.According to the Korean Film Council's integrated ticketing system, "The Devil Wears Prada 2" was the top film of the weekend, attracting 195,514 viewers and bringing its total audience to 1,221,632.The sequel features the legendary fashion magazine editor Miranda and her former assistant Andy, who returns as a creative editor after 20 years. The film explores their reunion and the changing media landscape as they vie for dominance in the fashion industry. It has also been performing well internationally, having topped the North American box office for two consecutive weeks, with worldwide earnings exceeding $433.24 million, surpassing the first film's total of $326.58 million.In second place was "Super Mario Galaxy," which drew 184,014 viewers during the same period, bringing its cumulative audience to over 1.31 million. The film's success continued from the holiday weekend, appealing particularly to family audiences."Super Mario Galaxy" tells the story of brothers Mario and Luigi, who have grown from Brooklyn plumbers to heroes saving the world. In this installment, they embark on a new adventure to rescue Yoshi, who gets lost while on a mission in the Sand Kingdom. The film's family-friendly appeal has contributed to its steady audience flow during May, a month dedicated to families.Among Korean films, "Salmon" secured the third position, attracting 147,323 viewers from May 8 to 10, with a total audience of 3,022,847. Despite the strong performance of foreign films, it has consistently drawn viewers and continues to thrive at the box office."Salmon" is a horror film about a film crew that encounters something mysterious in a dark reservoir after capturing an unidentified shape on a road view. Directed by Lee Sang-min, it stars Kim Hye-yoon, Lee Jong-won, Kim Jun-han, Kim Young-sung, Oh Dong-min, Yoon Jae-chan, and Jang Da-ah. After surpassing the break-even point of 800,000 viewers shortly after its release, it crossed the 1 million mark within ten days and has since reached 3 million, thanks to positive word-of-mouth.This weekend's box office results reflect the continued momentum in theaters following the holiday season. "Super Mario Galaxy" and "The Devil Wears Prada 2" led the foreign film charge, while "Salmon" maintained its presence through strong word-of-mouth and sustained success.* This article has been translated by AI. 2026-05-11 08:56:39 -
Director Lee Sang-yeob Reflects on 'Yumi's Cells' and Fan Support "The core of this story is empathy. Since Go Eun is a character who shares a similar life experience with Yumi, I wanted to maximize that connection. Yumi is a relatable character, like a younger sister you see around you. However, if you look closely, there are also shining aspects to her character that I wanted to highlight."'Yumi's Cells' tells the story of an ordinary woman, Yumi (played by Kim Go-eun), who experiences love and growth alongside her cells. Beginning with Season 1 in 2022 and culminating in Season 3 in 2026, the series has carefully chronicled Yumi's life and development.Director Lee Sang-yeob, known for his work on dramas such as 'Mr. Baek,' 'Shopping King Louie,' and 'My Love from the Star,' has guided 'Yumi's Cells' through all three seasons. After such a long journey, he expressed deep emotions about concluding the final season."It felt like finishing a big assignment. I worked hard, and it felt rewarding to hear that it was done well. As I wrapped up the final season, I felt quite emotional. The viewers seemed to share similar feelings, which made me realize I wasn't alone in that experience."Season 3 of 'Yumi's Cells' follows Yumi, now a successful writer, as an unexpected character enters her life, leading her to laugh, cry, and fall in love once more. While the original story includes characters Gu Woong, Yu Babi, and Shin Sun-rok, the drama focused on the narrative up to Season 2, resulting in some adaptations, including shifting some of Shin Sun-rok's episodes to Yu Babi (played by Park Jin-young)."When I first thought about what story to tell with this original work, I aimed to include Yumi's romance, love and breakup, and her growth as a writer. So, in Seasons 1 and 2, we focused on her relationship with Babi and her debut as a writer. At that time, I wasn't even thinking about Season 3. However, due to the overwhelming love for Seasons 1 and 2, we prepared for Season 3. I was quite anxious, thinking, 'What should I do?' and collaborated closely with the writer. Both of us are fans of the original work, so we pondered how to create a conclusion that everyone could accept, which led us to Season 3."In Season 3, the romance between Yumi and Sun-rok is restructured around a so-called 'hate-love' dynamic, with a more significant age gap between the two characters than in the original work."In the original, Yumi and Sun-rok's relationship has many sweet moments, but the conflicts are relatively minor. However, for the drama to be engaging, there needs to be a clear progression of conflict. So, we introduced the 'hate-love' concept. As a successful writer, Yumi develops a crush on Sun-rok, and I thought it would be interesting to have some barriers in her feelings. By increasing the age gap, it allows Yumi to naturally question whether it's okay for her to have feelings for him. We made these changes to enhance the drama, and I was a bit surprised by how well it was received."The casting of Kim Jae-won as Shin Sun-rok generated significant interest. In the original, Shin Sun-rok plays a crucial role in Yumi's final romance and marriage narrative, making him a central figure in Season 3."During the audition, I immediately felt he was 'Sun-rok.' Since it was a meeting with both the writer and me, Jae-won, as a newcomer, was understandably nervous, but he tried hard not to show it. That effort made him seem even more like Sun-rok. He wore a thick suit, like armor, and sat neatly, which reflected Sun-rok's character. He looked both cute and impressive. I thought he could definitely pull it off."Yumi's love interests have varied each season. After Gu Woong and Yu Babi, Season 3 introduces Shin Sun-rok, with the production team emphasizing the chemistry that arises when Yumi connects with her partners, as much as the fidelity to the original work."I believe Yumi looks good with tall men. Jae-won's dark, clear eyes also match the webtoon image well. Most importantly, I thought their two-shot would be beautiful. During the first meeting, I felt relieved and thought, 'Thank goodness, he can do this well.'"Reflecting on Yumi in Season 3, Director Lee Sang-yeob praised Kim Go-eun, who has been with the series throughout all three seasons. He noted that she continues to exceed expectations. Particularly, Yumi's character, starting the season as a successful writer with a sense of ease and ennui, aligns well with the experiences Kim Go-eun has gained as an actress over time."She is such a talented actress. Even in Seasons 1 and 2, she consistently delivered more than I expected. I often found myself chuckling while monitoring her performances. In Season 3, Yumi begins with a sense of ease as a successful writer. That aligns perfectly with the diverse roles Kim Go-eun has taken on and the experiences she has accumulated. She expressed Yumi's feelings of ennui and limitations as a successful writer exceptionally well."Director Lee Sang-yeob believes Yumi's charm lies in her relatability rather than glamour. She is a character who seems like someone you could meet in everyday life, but if you look closer, you find something special. He noted that Kim Go-eun captures this essence beautifully."Yumi's greatest strength is that she appears ordinary, yet shines when you look deeper. We all encounter people in our daily lives who are striving in their own ways. This aspect was crucial in the original work, and I wanted to ensure it was well-represented in the drama. During our preparations, we discussed the importance of contemporary empathy. We aimed to highlight relatable aspects of characters living in a similar era, and Kim Go-eun executed that brilliantly."The combination of live-action and animation is another distinctive feature of 'Yumi's Cells.' As the seasons progressed, the technical quality and detail of the animation improved."Rather than just increasing the scale, I think the details have improved. For instance, the scene where Yumi's town experiences a flood shows a significant evolution in the water effects from Season 1 to Season 3. Water animation is quite challenging, but we've reached a point where we can implement it effectively. The fire effects are also difficult, but we can now create them more realistically. The heart fever scenes have become much more vibrant, thanks to technological advancements and accumulated know-how."The final wedding scene is significant for fans of the original work. Director Lee Sang-yeob, also a fan, wanted to capture this moment faithfully. He aimed to preserve the original imagery as much as possible, and in doing so, he found himself expressing his own fan sentiments."As a fan of the original, this was a scene I really wanted to include. The original writer had written a scene that I aimed to replicate as closely as possible. There is a scene in front of the curtain, and while it was challenging to make it exactly the same due to the wedding venue's structure, I made some adjustments to the background while still channeling my fan enthusiasm. After finishing, I felt relieved and somewhat like I was marrying off a younger sister. I genuinely hoped Yumi would be happy."Throughout the three seasons, Yumi has been accompanied by Gu Woong, Yu Babi, and Shin Sun-rok. Director Lee noted that each character has its own strengths and significance. He explained that Yumi's growth was completed through her relationships with these characters."I think the feelings we invest in characters are all similar. From a directing perspective, Woong was the most sympathetic character, while Babi was perfect but had a fatal flaw. However, he was also someone who supported Yumi's journey as a writer, which deserves praise. I envisioned Sun-rok as a boyfriend who would bring excitement. After experiencing anxious relationships in her twenties, I wanted him to be someone Yumi could feel secure with. I believe that Woong and Babi's presence made Sun-rok possible. The ability to explore various romantic experiences and growth is one of the strengths of 'Yumi's Cells.'"The success of Season 3 was largely due to the support of fans. In his closing remarks, Director Lee expressed gratitude to the viewers who have supported Yumi throughout her journey."Season 3 would not have been possible without the support and encouragement of fans who loved Seasons 1 and 2. I believe the fans raised Yumi. Thank you for cheering us on and being with us until the end."* This article has been translated by AI. 2026-05-11 04:22:40 -
'Salmon's Eye' Surpasses 3 Million Viewers, Becomes Second-Biggest Korean Horror Film The film 'Salmon's Eye' has surpassed 3 million viewers, making it the second-highest-grossing horror film in South Korea's box office history. According to the Korean Film Council's integrated ticketing system, 'Salmon's Eye' exceeded 3 million viewers as of the afternoon of May 10. This achievement surpasses the record set by the 2018 film 'Gonjiam: Haunted Asylum,' which previously held the second spot. 'Salmon's Eye' quickly gained traction after exceeding its break-even point of 800,000 viewers shortly after its release, reaching 1 million viewers within just ten days. The film continued to attract audiences steadily, ultimately reaching the milestone of 3 million viewers. The horror film depicts a filming crew that encounters something dark and mysterious in a reservoir after capturing an unidentified figure on a road view. Directed by Lee Sang-min, the film has garnered attention as an immersive horror experience. Director Lee Sang-min expressed his gratitude through the film's distributor, Showbox. He stated, "Recently, I've been enjoying doing things I've always wanted to do, like spending the whole day reading at the library, watching movies I've wanted to see, or reading comics at a bookstore. I also traveled with friends not long ago. I love walking, and the nice weather has allowed me to enjoy long walks lately." He also thanked the audience, saying, "As with any film, especially horror, I believe it is completed thanks to the viewers who experience it together in theaters and scream along with us. I sincerely thank all the viewers who helped complete 'Salmon's Eye' and supported Team 'Salmon's Eye.'" Since its release, 'Salmon's Eye' has gained popularity as an experiential horror film, showcasing the strength of Korean horror cinema by surpassing the break-even point and attracting 3 million viewers this year.* This article has been translated by AI. 2026-05-11 03:45:58 -
Korean Government to Distribute 2.25 Million Movie Discount Coupons The Ministry of Culture, Sports and Tourism and the Korean Film Council are set to distribute movie discount coupons worth 6,000 won to help reduce the cost of movie tickets and support the recovery of the film industry. According to the ministry, the coupons will be available starting at 10 a.m. on May 13. A total of 2.25 million coupons will be distributed, which represents half of the 4.5 million movie discount coupons secured through the 2026 supplementary budget aimed at stabilizing livelihoods and revitalizing the film industry. The remaining 2.25 million coupons will be distributed in July during the summer peak season. The coupons can be used at major multiplex theaters such as CGV, Lotte Cinema, Megabox, and CineQ through their websites and mobile apps. Each online member of these theaters will automatically receive two coupons in their coupon wallet. Moviegoers can select the discount coupon when booking or paying for tickets. However, once the allocated quantity of coupons for each theater is exhausted, the discount will no longer be applicable. Even if a coupon is in a member's wallet, it will automatically disappear if the theater's allocation runs out before it is used. In addition to multiplexes, independent and art-house theaters, as well as smaller cinemas and silver cinemas, will also offer the discount coupons. The ministry stated that while these theaters are encouraged to provide coupons through their websites, those unable to do so due to system limitations will distribute them on a first-come, first-served basis at the venue. Participating theaters can be checked on the Korean Film Council's website. Using the discount coupon will reduce the ticket price by 6,000 won per ticket. However, if the final payment amount after applying the discount falls below 1,000 won, a minimum charge of 1,000 won will apply. The discount can be combined with existing theater discounts. According to the ministry, the 6,000 won discount coupons can be used alongside discounts for 'Culture Day', disability benefits, senior citizen discounts, youth discounts, and early bird discounts. Specifically, for CGV, Lotte Cinema, and Megabox, movie ticket prices are set at 10,000 won on the second and last Wednesdays of each month as part of 'Culture Day' discounts. By applying the 6,000 won discount coupon, moviegoers can watch a film for just 4,000 won. Additionally, discounts from affiliated credit cards can also be applied if the minimum payment conditions set by the card companies are met. However, telecom company member discounts cannot be combined with this coupon. Individuals eligible for disability and senior citizen discounts can also receive discounts on-site, even though online booking is the principle for this initiative. The ministry plans to operate a dedicated support desk to guide moviegoers unfamiliar with using websites or apps on how to book tickets. A ministry policy official stated, "As we welcome the warm spring, we hope this movie discount initiative adds joy to daily life and provides an opportunity for audiences to engage more closely with Korean films. We will continue to support policies that reflect the voices from the field to ensure that the recent trend of audience recovery continues and the Korean film industry can make a strong comeback."* This article has been translated by AI. 2026-05-10 10:49:45 -
May Theatrical Releases Feature Diverse Genre Films May will see a surge of genre films in theaters, ranging from horror comedies to zombie thrillers and sci-fi adventures. Audiences can expect a mix of fear, laughter, survival narratives, and expansions of global franchises. The first notable release is 'Teaching Practicum,' debuting on May 13. This high school horror comedy follows enthusiastic trainee teacher Eun-kyung as she faces a supernatural exam against a ghost. Directed by Kim Min-ha, known for 'Amoeba Girls and School Ghost Stories: Founding Day,' the film has already garnered attention by winning awards at the 29th Bucheon International Fantastic Film Festival. The cast includes Han Sun-hwa, Hong Ye-ji, Lee Yeo-reum, Lee Hwa-won, and Yoo Seon-ho, promising a comedic horror ensemble. Another highly anticipated film is 'Goonche,' directed by Yeon Sang-ho. Set to release on May 27, it depicts survivors in a quarantined building battling evolving infected beings amid an unidentified outbreak. Unlike traditional zombies, these creatures communicate and adapt, offering a fresh take on horror. Yeon, known for 'Train to Busan' and 'Hellbound,' is expected to expand his unique narrative style. 'Goonche' has already gained attention as an official selection for the Midnight Screenings at the 79th Cannes Film Festival. The film features a strong cast, including Jeon Ji-hyun, returning to the screen after 11 years, alongside Koo Kyo-hwan, Ji Chang-wook, Shin Hyun-bin, Kim Shin-rok, and Go Soo. Also releasing on May 27 is 'The Mandalorian and Grogu,' a blockbuster sci-fi adventure that follows bounty hunter Din Djarin and Grogu on a life-changing mission. This film expands the universe of the popular Disney+ series, attracting significant attention from fans. Directed by Jon Favreau, who co-wrote the script with Dave Filoni, the film maintains the franchise's authenticity. Pedro Pascal reprises his role as Din Djarin, joined by Sigourney Weaver and Jeremy Allen White, who recently won Golden Globe awards. As 'Teaching Practicum,' 'Goonche,' and 'The Mandalorian and Grogu' hit theaters, it remains to be seen if they can sustain the box office momentum established by previous hits like 'The King and the Man,' 'Salmon Fishing,' and 'Super Mario Galaxy.'* This article has been translated by AI. 2026-05-07 21:52:15 -
Lotte Cinema Hosts Special Movie Screening for Children with Rare Diseases Lotte Cinema and Mindullemaum organized a special movie screening for children with severe rare diseases and their families. On May 6, Lotte Cinema World Tower hosted a 'Spring Outing Screening' for these children and their families. The event aimed to provide a cultural experience for children who find it difficult to visit theaters due to long-term illnesses and to offer families a brief respite from caregiving duties.Excitement filled the venue as children visited the cinema for the first time or after a long absence. Lotte Cinema provided popcorn and drinks, and a Polaroid photo event took place at a 'Super Mario Galaxy' photo zone.Before the screening, video messages from family members, medical staff, and social workers who could not attend were shared. Children and their guardians watched these encouraging messages together, creating a meaningful moment.The featured film was the current box office hit, 'Super Mario Galaxy.' The children enjoyed the vibrant visuals and adventurous storyline, and after the screening, a recreational time with quizzes, games, and gift giveaways further enhanced the atmosphere.One guardian expressed, "Bringing my child to the cinema required a significant decision, but thanks to Lotte Cinema's thoughtful arrangements, we were able to create happy memories."Lee Soo-min, head of the Cinema Division at Lotte Culture Works, remarked, "It was impressive to see the children who usually struggle to visit theaters enjoying the film with bright smiles. We will continue to work towards creating an environment where marginalized groups can enjoy movies."Mindullemaum's representative, Son Yu-rin, added, "I hope the positive energy the children gain from the film helps them endure their treatment process."Finally, Lotte Culture Works stated, "For some, a familiar cinema can be a daunting space requiring courage and preparation for children and their families. We hope this experience leaves them with joyful memories, even if just for a moment."Looking ahead, Lotte Cinema plans to continue this initiative by launching collaborative merchandise with Mindullemaum in June, featuring characters based on artwork from children with severe rare diseases.* This article has been translated by AI. 2026-05-07 21:40:08

