AJU PRESS ASIA FIRST NEWS AGENCY

Journalist

Choi Song-hui
  • Police Seek Arrest Warrant for HYBE Chairman Bang Si-hyuk on Fraudulent Trading Allegations
    Police Seek Arrest Warrant for HYBE Chairman Bang Si-hyuk on Fraudulent Trading Allegations Police have applied for an arrest warrant for HYBE Chairman Bang Si-hyuk over allegations that he misled investors ahead of the company’s initial public offering and induced them to sell their stakes. The Seoul Metropolitan Police Agency’s financial crimes unit said April 21 it requested the warrant on suspicion of fraudulent unfair trading. The move came about five months after police questioned Bang in mid-November. Bang is accused of telling HYBE investors in 2019 that there were no plans to list the company, then having them sell shares to a specific private equity fund before proceeding with the IPO. Police believe Bang had previously signed a nonpublic agreement to receive 30% of the fund’s post-listing sale profits, and that he gained nearly 200 billion won in illicit profits. Under South Korea’s Capital Markets Act, it is illegal to obtain financial gain by providing false information or using improper schemes involving financial investment products, including unlisted shares. If the violation yields profits of 5 billion won or more, the penalty can be life imprisonment or at least five years in prison. Police said they began investigating after receiving a tip in late 2024. They raided the Korea Exchange and HYBE in June and July last year and barred Bang from leaving the country. As the probe dragged on, his public activities were also reported to have been constrained. More recently, the U.S. Embassy in Seoul was reported to have sent a letter to the National Police Agency seeking cooperation for Bang’s visit to the United States, citing BTS world tour-related matters. Bang’s side says the company complied with relevant laws and regulations during the listing process and that there is no legal issue. * This article has been translated by AI. 2026-04-21 13:51:16
  • Horror film emerges as surprise box-office draw
    Horror film emerges as surprise box-office draw SEOUL, April 20 (AJP) - Horror film "Salmokji: Whispering Water" held onto the top spot at the domestic box office for a second consecutive week, driven by strong word of mouth among younger moviegoers. According to the Korean Film Council on Monday, Lee Sang-min's directorial debut feature attracted 472,109 moviegoers over the weekend, bringing its cumulative total to 1.46 million since its release earlier this month. It already surpassed its break-even point of 1 million moviegoers in just about ten days after its release on April 8, extending its unexpected box-office run. The 95-minute film revolves around a film crew that visits a reservoir where an unidentified figure has been spotted, only to encounter something hidden in the dark waters below. Word of mouth has spread online, with viewers taking to social media to share their views, fueling curiosity about the film. In particular, its open-ended conclusion has sparked heated debate over interpretations, prompting many to watch it again. 2026-04-20 14:14:02
  • Singer Park Hye-kyung Releases New Single, Dreams Don’t Melt
    Singer Park Hye-kyung Releases New Single, 'Dreams Don’t Melt' Singer Park Hye-kyung is returning with a new song. Park is releasing the single, “Dreams Don’t Melt,” on Wednesday. The modern rock track, marked by a polished British alternative feel, carries a message that dreams held deep inside do not disappear even through hardship and the passage of time. The song opens with a lyrical guitar riff and restrained vocals, then builds as distorted guitar and a driving rhythm intensify toward the chorus. Park’s clear tone and huskier voice add to the song’s sincerity. Through her agency, Park said she hopes the new release “will become a song of encouragement for everyone going through a difficult time, so they can run again toward tomorrow.” She added that returning with new music after a long break feels especially meaningful, saying she spent that time thinking and preparing musically and “put that sincerity into this new song.” Park also said she plans to connect more directly with fans through busking and other formats, and promised to repay those who have waited with better music and an earnest presence. “Dreams Don’t Melt” will be available at 6 p.m. Wednesday on major online music platforms.* This article has been translated by AI. 2026-04-16 17:54:08
  • Robert De Niro, Ben Stiller and Ariana Grande Set for Meet the Parents 4 in November
    Robert De Niro, Ben Stiller and Ariana Grande Set for 'Meet the Parents 4' in November 'Meet the Parents 4' has set a November release and unveiled its first poster and trailer. The 'Meet the Parents' franchise is a comedy built on the tense, often awkward standoff between a father-in-law and son-in-law. It has centered on Jack Byrnes, a CIA veteran, and Greg Focker, who is trying to win approval to marry into the family. The first film earned $330 million worldwide, and the second topped it with $522 million. In the fourth installment, Greg’s son, Henry, introduces his girlfriend, Olivia, to the family. Robert De Niro and Ben Stiller return, and Ariana Grande joins the cast as Olivia. The newly released poster highlights the friction among the characters, contrasting Stiller’s Greg with De Niro’s Jack glaring at him, alongside a confident Olivia. The trailer uses BLACKPINK’s “JUMP” as background music. Jack tells Olivia, “Don’t worry. We do this with all potential new family members,” as he puts her through a lie detector test. Greg also tries to determine whether Olivia is right for Henry. Olivia, described as a former FBI hostage negotiator, pushes back in unexpected ways, raising the stakes. The film’s team said Stiller’s character, once the son-in-law under scrutiny, now faces a reversal. They said the sparring between Stiller as a prospective father-in-law and Grande as a formidable prospective daughter-in-law will be a key draw. '’Meet the Parents 4’ is directed by John Hamburg, who worked on the scripts for all previous films. De Niro, Stiller, Owen Wilson and Grande star. The film is scheduled for release in November.* This article has been translated by AI. 2026-04-16 17:48:26
  • Jung Woo Returns as Jjangu in New Film, Co-Directing Autobiographical Story
    Jung Woo Returns as Jjangu in New Film, Co-Directing Autobiographical Story 2009’s hit film “Wish” (“Baram”), often dubbed an “unofficial 10 million” blockbuster and long embraced by many Korean men as a defining movie, is bringing back its character Jjangu after 16 years — this time as the focus of a new film. “Jjangu” follows the character in his 20s after high school, thrown into what the film portrays as a jungle-like adult world, fighting to survive while chasing a single goal: becoming an actor. A press screening and news conference for “Jjangu,” co-directed by Oh Seong-ho and Jung Woo, was held Wednesday afternoon at CGV Yongsan I’Park Mall in Seoul. Oh, Jung and cast members Jung Soo-jung, Shin Seung-ho, Kwon So-hyun and Jo Beom-gyu attended. Set in the 2000s, the film depicts Jjangu (played by Jung) as he starts living on his own in Seoul and confronts the realities of pursuing his dream. The project draws heavily from Jung’s own story; he wrote the screenplay and also co-directed. Capturing the atmosphere and sensibility of Busan, where the story is rooted, was a key challenge, Oh said. “Gyeongsang Province’s sensibility was very important,” Oh said, adding that locations needed to feel lived-in rather than like tourist spots. He said the team practiced to avoid “fake” dialect and deliver authentic Busan speech. For Jung, filming in his hometown came with a warm reception. He said some locations — including a nightclub and a gukbap restaurant — were initially difficult to secure, but local contacts offered support after hearing he was making the film. “They sponsored us and even lent us the places,” Jung said. “I thought, ‘I’m not done yet,’ and that people in Busan still care about me. I filmed with a grateful heart.” Like “Wish,” which drew attention for its lively chemistry among friends, “Jjangu” leans on fast back-and-forth between characters. Jung said he wrote the script as if he were hanging out with his real friends, while also doing extensive rehearsals and read-throughs. He said the cast was chosen not only for dialect but for acting ability and fit with the roles, adding that their personalities helped create the on-screen rhythm. Co-stars credited Jung’s drive on set. Jo said he felt he would learn a lot by working alongside Jung, whose energy helped shape the chemistry between their characters. Shin said the set was consistently enjoyable and that he hoped that feeling would carry to audiences. He said Jung’s leadership allowed the actors to perform in a “live” tone and situation, to the point he sometimes forgot they were filming. Jung said returning to the role of Jjangu — and taking on directing — carried special meaning. He said “Jjangu” has been his nickname since he was 2 or 3 years old, and that the character again brought thoughts of his father. “It was nice to revisit the acting I did 16 years ago as Jjangu,” he said. “I thought audiences might be happy to see him again, too. I hope they feel that way.” Jung said that while co-directing and starring can bring practical burdens, he had fun during production. He also said he was grateful to have the chance to make the film at a time when the movie market is difficult. Asked about how autobiographical the characters are, Jung said not all of them are based on real people. He described Min-hee as a “wannabe” figure for men, and said characters such as Beom-gyu and So-hyun reflect things he saw and experienced indirectly. Jung Soo-jung plays Min-hee, Jjangu’s first love, described as skilled at pushing and pulling in relationships. She said she enjoyed “Wish” and had long been curious about a follow-up. “When I got the offer, I enjoyed reading it, and I wanted to work with Jung Woo,” she said, adding that the cast filmed in a good mood together. On Min-hee’s feelings, Jung said that while the character may seem hard to read, she played every moment as sincere. “Min-hee’s feelings for Jjangu are real,” she said, adding that what begins as a joke gradually becomes an honest confrontation with her true emotions. “Jjangu,” which revisits 2000s nostalgia and the bittersweet growing pains of youth, is expected to offer fans of “Wish” a sense of return while introducing new audiences to Jung’s personal story. It opens in theaters on the 22nd. * This article has been translated by AI. 2026-04-16 17:42:35
  • TOMORROW X TOGETHER Turns the Page With a More Direct Story on The Seventh Year
    TOMORROW X TOGETHER Turns the Page With a More Direct Story on 'The Seventh Year' Dozens of songs and works are created every day, but many never reach a wide audience. The same is true for the artists who sing and act — even strong talent can be overlooked. “Artist Spotlight” introduces artists across fields and tracks their growth, as well as offering an affectionate tribute. <Editor’s note> TOMORROW X TOGETHER’s music has long been built like a continuing narrative, with album series that read as chapters in a coming-of-age story. The group, under BigHit Music, debuted March 4, 2019, as a five-member multinational boy band. Its name means that “you and I, different from each other, come together in one dream to make tomorrow together.” That storyline has moved through releases including “The Dream Chapter: STAR,” “The Dream Chapter: MAGIC” and “The Dream Chapter: ETERNITY,” followed by “minisode1 : Blue Hour.” It continued with “The Chaos Chapter: FREEZE” and “The Chaos Chapter: FIGHT OR ESCAPE,” then “minisode 2: Thursday’s Child,” tracing emotions from excitement and discovery to rupture, confusion, desire and the aftermath of a first breakup. The narrative, however, has not stayed only in a fictional framework. The meaning of the group’s name has been reinforced in its real-life teamwork, marked by trust and affection and a steady commitment to moving forward together. Ahead of their seventh anniversary, all five members renewed their contracts, a decision that underscored they were choosing the next stage as a group. That shift comes into sharper focus on the mini-album “The Seventh Year: When the Wind Stopped for a Moment in the Thornbush.” Where the group previously expressed growing pains through a “boy” persona and an overarching universe, the new release looks more directly at the present — the responsibility and expectations that have accumulated since debut, the gap between ideals and reality, and the anxiety and worry they felt before renewing their contracts. Even as the approach becomes more direct, the group’s emotional texture remains consistent: less blunt force than a feeling that slowly spreads. The mood is often dreamy with a cool edge and a damp lyricism, and the album title and subtitle extend that sensibility, using “thorns” as a metaphor for past pain and a brief calm amid ongoing unease. Those themes carry through the track list. “One More Day” (“하루에 하루만 더”) sings of the desperation to hold on to a love that is nearing its end, while also pointing to determination to keep pursuing a dream — a sentiment the article links to the group’s mindset after renewing contracts. “Bed of Thorns” addresses accepting the results of choices, while “So What” lays out the anxieties and 고민 of the past seven years in more direct terms. “Take Me to Nirvana” and “21st Century Romance” turn to sensations of release and inner signals. The closing track, “Next of Next” (“다음의 다음”), leaves the future uncertain but insists on moving toward tomorrow. In that sense, the album is not simply a “new chapter.” It reframes long-built trust and affection — along with the instability that can come with it — in a more realistic grain. The group’s story, once read mainly as a fictional growth narrative, is now closer to its own names and feelings. The pages, it suggests, are still turning.* This article has been translated by AI. 2026-04-16 10:33:44
  • Jennie Named to Time’s 2026 100 Most Influential People List, Only K-pop Artist Selected
    Jennie Named to Time’s 2026 100 Most Influential People List, Only K-pop Artist Selected Singer Jennie has again underscored her global reach. On April 15 (local time), U.S. newsmagazine Time published its list of the “2026 100 Most Influential People in the World” on its website. Jennie was the only K-pop artist named to this year’s list. The Time 100 recognizes people worldwide for influence, innovation and achievement across fields. Jennie’s recent results have also drawn attention. Her first full-length solo album, “Ruby,” was included in Rolling Stone’s “The 100 Best Albums of 2025.” She also ranked No. 1 on Forbes Korea’s “KOREAN IDOLS OF THE YEAR 2025.” Her chart performance has been notable as well. “Dracula (JENNIE Remix),” a collaboration with Tame Impala, reached a career-high No. 17 on Billboard’s Hot 100. The track also topped Billboard’s Hot Dance/Electronic Songs chart, a first for a K-pop female solo artist. The song was also nominated for Song of the Summer at the 2026 American Music Awards. Time’s full 2026 Time 100 list is available on the magazine’s official website. * This article has been translated by AI. 2026-04-16 08:04:03
  • DKZ to End Group Activities After About Seven Years, Shift to Solo Work in June
    DKZ to End Group Activities After About Seven Years, Shift to Solo Work in June 그룹 DKZ가 약 7년간의 팀 활동에 마침표를 찍는다. 멤버 재찬은 팀 활동 종료 소식을 전하며 팬들에게 감사의 뜻을 전했다. Dongyo Entertainment said on the 15th that after discussions with the members, the group agreed to wrap up DKZ’s activities after its scheduled commitments through May 31, 2026. The agency thanked the members “for their precious effort and time,” and also expressed gratitude to the fandom, known as Dongari, for accompanying the group on its journey. Jaechan also addressed fans directly. “From my debut on April 24, 2019, to today in 2026, so much has happened, and it was a series of happy days beyond what I can put into words,” he said. “Thanks to Ari, I think I was able to feel so many emotions — crying and laughing, enjoying and being happy.” He said he came forward because he felt he needed to share “the end of the journey” from debuting as Dongkiz to becoming DKZ. “Because I was with DKZ, I could become who I am now,” he said, adding that he learned and grew while meeting fans who were “the most precious and reliable” presence for him. Explaining the decision, Jaechan said it still did not feel real that the name DKZ — which he said described his entire life from his late teens to age 26 — would no longer be attached to him. He said the members spent time thinking deeply about the direction each wanted to pursue and their dreams, and concluded that supporting one another while walking separate paths was the more meaningful choice. After group activities end, the five members will pursue individual work. The agency said the members plan to meet fans through solo activities starting in June. It said Jaechan and Juwon have completed contract renewals and will continue working in various fields, while Sehyeon, Mingyu and Giseok will also move forward as artists under the agency. The company said it would continue to fully support all five members and asked for continued encouragement. Jaechan also renewed his exclusive contract and is expected to continue working with Dongyo Entertainment through 2028. “I’ve been promised full support for my overall entertainment activities, so I would be truly grateful if you continue to join me on my journey and be a great source of strength,” he said. “The name DKZ will remain a precious time I will never forget,” he added. “Ari, thank you always, and I love you.” DKZ debuted in 2019 as “Dongkiz.” The group continued activities through a name change and lineup changes, and in 2022 reorganized into a five-member group with the addition of new members.* This article has been translated by AI. 2026-04-15 17:40:01
  • BTS Earns American Music Awards Nods as ‘SWIM’ Hits 100M Views and Charts Stay Strong
    BTS Earns American Music Awards Nods as ‘SWIM’ Hits 100M Views and Charts Stay Strong BTS has landed nominations at the American Music Awards, extended its Billboard run and pushed the music video for its new single “SWIM” past 100 million views on YouTube. According to the AMA nominees list released April 14, BTS was nominated for Artist of the Year. The group previously won the category in 2021 as the first Korean act to do so. BTS also earned nominations for Best Male K-Pop Artist and Song of the Summer, bringing its total to three. “SWIM,” the title track from the group’s fifth full-length album, “ARIRANG,” was nominated for Song of the Summer less than a month after its release. On Billboard’s latest charts released April 14, “SWIM” ranked No. 5 on the April 18 Hot 100. Other “ARIRANG” tracks also charted: “Body to Body” at No. 52, “2.0” at No. 67, “Hooligan” at No. 72, “NORMAL” at No. 82 and “FYA” at No. 90. Six songs from the album have now appeared on the Hot 100 for three consecutive weeks. The group also held No. 1 for a third straight week on Billboard’s Global 200 and Global Excl. U.S. charts with “SWIM.” All 13 vocal tracks placed within the top 50 of the Global 200 and the top 40 of Global Excl. U.S. Over the same period, BTS stayed atop the Billboard 200, Artist 100, Digital Song Sales and Top Album Sales charts for three consecutive weeks. A three-week run at No. 1 on the Billboard 200 is described as an unusual record for K-pop acts and for groups. The “SWIM” music video, released March 20, surpassed 100 million views on YouTube on the afternoon of April 15, adding another 100-million-view video to the group’s catalog. Shot against the sea in Lisbon, Portugal, the video features actor Lili Reinhart and was directed by Tanu Muino. The seven members appear as helpers aboard a ship cutting through waves, supporting a character who has faced setbacks and is trying to move forward. “SWIM” is an alternative pop track about pressing ahead through life’s waves. RM participated in writing the lyrics. The song debuted at No. 1 on the Hot 100 and has remained in the top five for three straight weeks. It has also held No. 1 for three consecutive weeks on Spotify’s Weekly Top Songs Global and continues a long-running No. 1 streak on Spotify’s Daily Top Songs Global. The American Music Awards will be held May 25 at the MGM Grand Garden Arena in Las Vegas. * This article has been translated by AI. 2026-04-15 17:06:09
  • Korean Films ‘Hope,’ ‘Colony’ and ‘Dora’ Invited to Cannes as Park Chan-wook Named Jury President
    Korean Films ‘Hope,’ ‘Colony’ and ‘Dora’ Invited to Cannes as Park Chan-wook Named Jury President Despite the box-office success of the film 'The Man Who Lives With the King,' the broader Korean film industry remains under strain. Against that backdrop, three Korean films — 'Hope,' 'Colony' and 'Dora' — were invited to the 79th Cannes Film Festival, and director Park Chan-wook was appointed president of the competition jury. The most prominent selection is director Na Hong-jin’s 'Hope.' Cannes included the film in its competition lineup, announced April 9 as part of the festival’s official selection. The competition section is Cannes’ centerpiece, bringing together the year’s most closely watched films. It is Na’s first time in Cannes’ main competition. Since his debut with 'The Chaser,' he has maintained ties with the festival through films including 'The Yellow Sea' and 'The Wailing.' The new film also marks his first release in 10 years since 'The Wailing,' adding weight to its competition berth. Director Yeon Sang-ho’s 'Colony' was also invited, landing in the Midnight Screenings section. That program spotlights genre films — including action, thriller, horror, noir and fantasy — that combine craft with broad appeal. Yeon has been selected by Cannes again following 'The King of Pigs,' 'Train to Busan' and 'Peninsula.' Another Korean entry is director Jung Joo-ri’s 'Dora,' invited to the Directors’ Fortnight. The Fortnight’s organizing committee announced the selection on April 14. The noncompetitive section, founded by the French Directors Guild, is known for highlighting distinctive new voices. Artistic director Julien Rejl described 'Dora' as a free and original film inspired by Freud’s early 20th-century “Dora” case, exploring a young woman’s desire — and the passion and confusion that follow — within the context of Korean cinema. Jung’s debut feature 'A Girl at My Door' was invited to Cannes’ Un Certain Regard in 2014, and 'Next Sohee' was selected as the 2022 Critics’ Week closing film. With 'Dora,' all three of her feature films have been invited to Cannes. 'Dora' follows two wounded characters as they are swept into a complex emotional spiral. The film has drawn attention for pairing singer-actor Kim Do-yeon with Japanese actor Sakura Ando. It is an international co-production that received investment and production support from France, Luxembourg and Japan. Park’s appointment further underscores Korea’s presence at this year’s festival. Cannes named Park president of the 79th competition jury, saying it is the first time a Korean has held the post. Park has long been associated with Cannes through films including 'Oldboy,' 'Thirst' and 'Decision to Leave.' Having attended Cannes as an award winner, a competition director and a juror, he will now lead the panel that decides the top prizes. The Cannes invitations alone are unlikely to resolve the industry’s difficulties. Still, as the downturn continues, the festival’s renewed attention to Korean films is being welcomed, and this year’s lineup is expected to prompt a fresh look at where Korean cinema stands now.* This article has been translated by AI. 2026-04-15 14:21:27