Journalist

Choi Songhee
  • Bridgerton Season 4 Star Ha Yerin Says She’s Proud Sophie Baek Reflects Her Korean Identity
    Bridgerton Season 4 Star Ha Yerin Says She’s Proud Sophie Baek Reflects Her Korean Identity Korean American actor Ha Yerin has stepped into the global spotlight as a lead in Netflix’s hit series ‘Bridgerton’ Season 4, saying she was proud the character’s name reflects her Korean identity. A press event for the series was held Tuesday afternoon in Seoul, with Ha in attendance. ‘Bridgerton’ Season 4 follows Benedict Bridgerton (Luke Thompson), a free spirit uninterested in marriage, as he navigates love, identity and class after meeting a “lady in a silver dress” at a masked ball — and Sophie Baek (Ha), a maid in his everyday life. The ‘Bridgerton’ franchise is one of Netflix’s best-known global hits. Ha said she struggled to grasp the show’s immediate success. “When ‘Bridgerton’ Season 4 hit No. 1 on the global chart, honestly it didn’t feel real,” she said. “It felt like something happening outside of me.” She said her grandmother, veteran actor Son Sook, watched the entire season and sent a message of support. “My grandmother finished ‘Bridgerton’ Season 4,” Ha said. “Her eyesight has gotten worse lately, so she watched close to the TV. She messaged me, ‘I’m proud of you, I love you,’ and it made me feel warm — and also a little heartbroken.” Son is currently performing in the stage play ‘An Elder’s Dream,’ Ha said, adding that she planned to attend a performance. “She told me, ‘People used to call you Ha Yerin, Son Sook’s granddaughter, but these days they call me Son Sook, Ha Yerin’s grandmother,’” Ha said. “Hearing that made me feel emotional, and proud.” Ha, who has worked in Hollywood including on ‘Halo,’ recalled learning she had landed the role. “Overseas, you send a lot of self-tapes,” she said. While visiting her mother in Taean, she received a call from her agent telling her to submit an audition video within 24 hours. She filmed and sent scenes involving tea and a lake, then received a callback days later. She said she interviewed with the director over Zoom and later met Thompson the same way, auditioning at 11 p.m. due to the time difference. “Later, I was having brunch with my mom in Gangnam when I heard I’d become the female lead,” Ha said. “We cried and screamed together. I remember people around us looking like, ‘Is she OK?’” Ha said she also felt pressure joining a series with an established global fan base. “I worried that coming in as a new character might throw off the rhythm,” she said. “But they wanted new energy. In my seven years as an actor, it was the set that respected diversity the most. I was happy during the shoot.” Though set in the 19th century, the series has drawn attention for its diverse casting, including across race and sexual identity. “Even though it’s set in the 19th century, it has the power to make it feel modern,” Ha said. “At its core, it’s a love story. The center is how Sophie’s emotions and sincerity are expressed, so I tried to act with that as the focus. I think ‘Bridgerton’ reflects today and lets people project the love story and fantasy they imagine.” The franchise is also known for explicit romance. Ha said she felt “pressure and fear” filming intimate scenes with Thompson, and credited the production’s intimacy coordinator. “In Hollywood, in society, and in the media, it feels like people think they have the right to blame, judge and criticize women’s bodies,” she said. “That made me feel pressure and fear. In Korea, especially, beauty standards can be stricter than in the West. I worked with an intimacy coordinator on ‘Bridgerton,’ and I think it’s an essential role in the industry. They did an excellent job, choreographing it like a dance and doing everything possible to make it feel safe on set.” Ha also explained how her character’s surname changed from “Sophie Beckett” in the original work to “Sophie Baek” in the series. “After I passed the audition, we had a Zoom meeting,” she said. “While talking about the character, they asked, ‘What surnames start with a B sound?’ Since it was ‘Beckett,’ we were thinking of a name that fits ‘B,’ and I think ‘Baek’ came to mind. It wasn’t a big conversation, so I didn’t think much of it — but then Sophie’s last name had changed. It felt satisfying. Since I’m a Korean actor, I thought it was natural to change it to a surname that fits my identity, and I felt grateful.” ‘Bridgerton’ Season 4 Part 1 was released worldwide on Netflix on Jan. 29, and Part 2 on Feb. 26, and has been drawing strong attention, the organizers said. * This article has been translated by AI. 2026-03-04 16:40:18
  • Bridgerton Season 4’s Ha Yerin Addresses Racism Controversy, Urges Restraint
    Bridgerton Season 4’s Ha Yerin Addresses Racism Controversy, Urges Restraint Actor Ha Yerin has spoken publicly about a recent racism controversy tied to Netflix’s series “Bridgerton 4.” At a news conference held Tuesday afternoon at Community House Masil in Seoul’s Jung-gu district, Ha addressed the issue while appearing as the show’s lead actor. The series previously drew criticism during global promotion after actions that included excluding Ha, prompting allegations of racial discrimination. Fans in South Korea and abroad also lodged complaints with the show’s production company, Shondaland. “While I was on set, I never felt it was racism,” Ha said. “I do think there were times when certain details were overlooked. But I don’t think it was intentional or done consciously.” Ha added that while she did not personally feel slighted, she understands why some people reacted the way they did. She said the moment could be a chance to show tolerance for what was missed and for media outlets to learn that such details should not be overlooked. She also said she hopes the controversy does not lead to excessive criticism or hatred. “Bridgerton 4” follows Benedict Bridgerton (Luke Thompson), a free spirit indifferent to marriage, as he navigates love, identity and class between a “lady in a silver dress” he meets at a masked ball and Sophie Baek (Ha), a maid in real life. Part 1 was released on Netflix on Jan. 29, and Part 2 on Feb. 26.* This article has been translated by AI. 2026-03-04 15:24:31
  • Bridgerton Season 4 Star Ha Yerin Says Grandmother Son Sook Watched — and Blushed at Intimate Scenes
    Bridgerton Season 4 Star Ha Yerin Says Grandmother Son Sook Watched — and Blushed at Intimate Scenes Actress Ha Yerin on Tuesday shared her grandmother Son Sook’s reaction after watching Netflix’s series “Bridgerton 4.” Ha attended a press event for “Bridgerton 4” on Tuesday afternoon at Community House Masil in Seoul’s Jung District. Ha, a Korean Australian actor, is known in Korea as the granddaughter of Son, often described as a leading figure in theater. Ha said Son had watched all of “Bridgerton 4,” adding that her grandmother, whose eyesight has recently worsened, watched from close to the TV. “She sent me a message saying, ‘I’m proud of you, I love you,’ and it made me feel warm — and a little emotional,” Ha said. Ha added with a laugh that Son told her that morning, “The revealing scenes are a bit embarrassing.” Ha said she thought her grandmother would skip the sex scenes, “but she watched them all.” Ha said she began dreaming of becoming an actor after watching Son perform on stage when she was young. “I tried to come from Australia to Korea about once a year, and every time, my grandmother was always doing a play,” she said. Ha said she does not remember the title, but recalled seeing a one-person show and a scene in which Son cried while holding a pillow like a baby. “Seeing the audience crying, I thought, ‘This is the power of art,’” she said. “People are all the same, and the emotions we feel are similar. I thought it was an amazing job — to comfort people and help them empathize through theater — and that’s when I started to dream of acting. I’ve been inspired by my grandmother a lot.” Ha said Son is currently performing in a play titled “Noinui Kkum.” Ha said she is leaving on Friday and plans to see the production on Wednesday because her grandmother wants her to attend. Ha added that Son recently told her, “I used to be called Ha Yerin, Son Sook’s granddaughter, but these days I’m called Son Sook, Ha Yerin’s grandmother,” a remark Ha said made her feel both emotional and proud. “Bridgerton 4” follows Benedict Bridgerton (Luke Thompson), a free spirit uninterested in marriage, as he navigates love, identity and class between a masked-ball “lady in a silver dress” and Sophie Baek (Ha), a maid in real life. Part 1 was released on Netflix on Jan. 29 and Part 2 on Feb. 26. 2026-03-04 15:06:58
  • Ha Yerin Says Netflix’s ‘Bridgerton 4’ No. 1 Ranking Still Hasn’t Sunk In
    Ha Yerin Says Netflix’s ‘Bridgerton 4’ No. 1 Ranking Still Hasn’t Sunk In Actor Ha Yerin shared her thoughts on the global popularity of Netflix series “Bridgerton 4.” A press event for “Bridgerton 4” was held on the afternoon of March 4 at Community House Masil in Seoul’s Jung District. Ha, who stars in the series, attended. “When ‘Bridgerton 4’ hit No. 1 on the global chart, it honestly didn’t feel real,” Ha said. “It felt like something happening outside of me, so it didn’t really sink in.” The series also ranked No. 1 in South Korea shortly after its release. Ha said she had heard it can be difficult for a foreign production to top the local chart, adding that she was “truly grateful” to hear “Bridgerton 4” had reached No. 1 in Korea as well. “Bridgerton 4” is a romance series about Benedict Bridgerton (Luke Thompson), a free spirit indifferent to marriage, who meets a “lady in a silver dress” at a masked ball and becomes caught between her and Sophie Baek (Ha), a maid in real life, as love, identity and class boundaries collide. Part 1 premiered on Netflix on Jan. 29, and Part 2 was released Feb. 26.* This article has been translated by AI. 2026-03-04 14:48:25
  • Shin Wonho to Return With First Mini Album ONE
    Shin Wonho to Return With First Mini Album 'ONE' Singer and actor Shin Wonho, a member of the group Cross Gene, is returning to music. He will release his first mini album, ‘ONE,’ at noon on March 4 through major online music platforms. The title track, ‘Warzone,’ is a pop song with an unconventional structure that portrays lovers who hurt each other, reconcile and continue healing through a repeating cycle. While framed as a love story, it also raises a question about what true peace means, aiming to deliver a layered message. The six-track album also includes ‘Hug me,’ about a moment of wanting to lean deeply into someone’s embrace; ‘Placebo,’ a pledge to push past limits; and ‘Chaewoo,’ which depicts an empty soul being filled. Instrumental versions of ‘Warzone’ and ‘Chaewoo’ are also included. Shin has rolled out teaser content ahead of the release, including 10-second track preview videos featuring melodies in different moods and his distinctive vocal tone, drawing strong reactions from global fans. He also took on self-producing across the project, highlighting his musical capabilities. The mini album ‘ONE’ will be available at noon on March 4 on major online music platforms.* This article has been translated by AI. 2026-03-04 09:15:19
  • Six South Korean Music Rights Groups Form Joint Front on AI Copyright
    Six South Korean Music Rights Groups Form Joint Front on AI Copyright Lee Si-ha, president of the Korea Music Copyright Association, has launched what the group called a “declaration of war” for the AI era in his first official move since taking office. Citing rapid growth in generative AI and what he described as unprecedented upheaval in the global music business, Lee called an emergency meeting of music rights organizations. On Feb. 26, the heads of six groups formally launched the K-Music Rights Organizations Coexistence Committee, known as the Coexistence Committee. The committee brings together the Korea Music Copyright Association (President Lee Si-ha), the Korea Record Industry Association (President Choi Kyung-sik), the Korea Entertainment Producers Association (President Lim Baek-woon), the Together Music Copyright Association (Chairman Han Dong-heon), the Korea Music Performers Association (President Lee Jeong-hyeon) and the Korea Music Content Association (Chairman Woo Seung-hyeon). Lee was elected chair. The committee said the industry faces a “fourfold crisis”: the spread of generative AI, blockchain-driven decentralization, overseas outflows of Hallyu-related revenue, and a reshaping of the platform market. It said it aims to go beyond policy proposals and position South Korea as a rule-setter by taking the lead in “copyright management technology.” At the center of its plan is a blockchain-based integrated infrastructure to unify fragmented rights data. The committee said it will seek core technology to link four major codes into a single data structure: ISWC (International Standard Musical Work Code) for musical works such as composition and lyrics; ISRC (International Standard Recording Code) for sound recordings; YouTube’s CID (Content ID) system used to identify rights holders by recognizing audio and content in uploaded videos; and UCI (Universal Content Identifier), a national content identification system. The goal, it said, is to complete a “K-copyright standard model” that can track, collect and distribute royalties in real time without missing a single use, and to strengthen leadership in the copyright market. To carry out the plan, the six groups agreed to form a joint AI response task force, create a single negotiation channel and establish a joint fund, aiming to speak with one voice rather than respond separately. At the launch ceremony, the leaders also signed a joint declaration titled, “In the AI era, we declare the noble sovereignty of human creation,” pledging to protect creators’ rights against big capital and algorithms. The declaration calls for banning AI training without creators’ consent, requiring transparency in AI generation processes, and institutionalizing clear distinctions between human-created works and AI-generated output. “The next two years are a golden time that will determine the survival of Korea’s music industry,” Lee said. “Individual responses cannot stop this massive wave, so six organizations have joined hands. We will establish the copyright management system we build as a global standard and make Korea lead the world’s copyright order.” The committee said it will begin regular meetings and move quickly to design an integrated platform and pursue related institutional improvements.* This article has been translated by AI. 2026-03-04 09:00:47
  • Park Ji-hoon’s ‘The Man Who Lives With the King’ Nears 10 Million Admissions, Expands Overseas
    Park Ji-hoon’s ‘The Man Who Lives With the King’ Nears 10 Million Admissions, Expands Overseas Actor Park Ji-hoon is set to meet global audiences as the film “The Man Who Lives With the King” continues its box-office run in South Korea. Directed by Jang Hang-jun, the movie is set in 1457 at Cheongnyeongpo and follows village chief Eom Heung-do, who volunteers to live in exile to revive his town, and the young deposed king Lee Hong-wi as they end up living together. The film surpassed 9 million admissions on March 2, putting it within reach of 10 million. Amid strong word of mouth, the film is also scheduled for release overseas, including in 26 U.S. cities such as New Jersey, Los Angeles, Washington, D.C., Seattle and Las Vegas, as well as in Canada, Australia, Taiwan and New Zealand. The film opened in Australia on Feb. 19 and drew strong interest, the distributor said. With its cumulative admissions now above 9 million, attention is focused on whether it can become the first domestic film to reach 10 million admissions in two years, since “Exhuma” in 2024. Park stars as Danjong, and the cast’s performances have been cited as a key driver of the film’s popularity. Adding to the momentum, “The Man Who Lives With the King” has been officially invited to the main competition section of the 28th Udine Far East Film Festival, which opens April 24. The festival is Europe’s largest event dedicated to Asian cinema. Park has also been gaining visibility beyond the film’s success. The Korea Corporate Reputation Research Institute ranked him No. 1 in its February 2026 rising star brand reputation list. Park is also set to broaden his activities through the first-half release of the TVING original series “Becoming a Legend as a Cook Soldier,” and an entertainment program featuring the full reunion of Wanna One for the first time in about seven years.* This article has been translated by AI. 2026-03-04 08:06:17
  • BTS Reveals Track List for 5th Album ARIRANG; Title Track Is SWIM
    BTS Reveals Track List for 5th Album 'ARIRANG'; Title Track Is 'SWIM' BTS is returning with “SWIM,” a song that centers on love for life. BTS on March 4 released the track list for its fifth full-length album, “ARIRANG,” on the group’s official social media accounts. The image pairs the album logo with a red tape-like graphic. The 14-track album includes the title song “SWIM,” along with “Body to Body,” “Hooligan,” “Aliens,” “FYA,” “2.0,” “No. 29,” “Merry Go Round,” “NORMAL,” “Like Animals,” “they don’t know ’bout us,” “One More Night,” “Please” and “Into the Sun.” BigHit Music said “ARIRANG” brings together BTS’ identity and the emotions built over the group’s journey. “SWIM” is an upbeat alternative-pop track about pressing forward through life’s waves, moving at one’s own pace rather than fighting the current. RM participated broadly in writing the lyrics, the agency said. “Body to Body,” the opening track, is framed as a call to enjoy the moment with concertgoers. “Hooligan” reflects time spent traveling the world and carving out a path, while “Aliens” and “FYA” convey ambition and the energy of the group’s return. “2.0” is described as showing the present of the seven members as they enter a new phase. “No. 29” and “Merry Go Round,” placed after the title track, depict enduring life’s repeating cycles. “NORMAL” addresses feelings on and off stage, and “Like Animals” expresses a resolve to live intensely. “they don’t know ’bout us” projects confidence with the message, “We’re just us,” while “One More Night” sings of wanting to stay longer in an ecstatic moment. “Please” conveys a candid desire to be together in any situation, and “Into the Sun” closes the album with a confession of running toward “you.” BTS worked on the album after holding songwriting sessions in Los Angeles last summer. Producers Diplo, Ryan Tedder and El Guincho, each with Grammy Awards histories, participated, the agency said. BTS will release “ARIRANG” at 1 p.m. March 20. The next day, the group will hold “BTS Comeback Live: ARIRANG” around Gwanghwamun Square in Seoul, with the performance livestreamed on Netflix. 2026-03-04 07:57:23
  • Director Ryoo Seung-wan on the on-set approach of Park Jeong-min and Zo In-sung in Humint
    Director Ryoo Seung-wan on the on-set approach of Park Jeong-min and Zo In-sung in 'Humint' A single scene can hold countless perspectives. Even in the same place and time, a director and actors may experience the moment differently. <Choi Song-hee’s B-Cut> looks past the polished “A-cut” on screen to the behind-the-scenes record that still carries the set’s temperature. By cross-editing interviews with the people who made the work, it reconstructs the “B-cut” moments that were often more intense than the finished frame. <Editor’s note> Vladivostok, where secrets and truths sink into an icy sea, is the setting for the film “Humint.” Against that harsh backdrop, director Ryoo Seung-wan captures characters colliding at close range. Alongside Ryoo’s trademark action and tension, the film’s pull is also the actors’ screen presence. Off camera, however, the mood was lighter, with confessions like “I worried it would feel cringey” and sheepish explanations such as “I just walked.” Park Jeong-min plays Park Geon, a section chief in North Korea’s Ministry of State Security, portrayed as a man of cold judgment and quick movement. Park said he trained by going back and forth between the gym and running routes to narrow the distance between himself and the character. “When the director gave me the script, he said Park Geon is a masculine character with a lot of action, so I needed to prepare,” Park said. “I trained at the gym. I thought he should be someone with a clear purpose, a wild kind of person. Usually, once filming gets going, you start to get self-absorbed — you think no one else can play the role, so you fuse the character with yourself. But with ‘Humint,’ I was scared. Until I saw the finished film, I worried the distance between Park Geon and Park Jeong-min was so big it would make me cringe. Thankfully, after watching it, it didn’t feel that way. I was relieved it wasn’t awkward.” Park said the references Ryoo provided while shaping Park Geon’s sharp image sometimes added welcome pressure. “There were so many films,” Park said. “Director Ryoo would put movies on a USB drive or lend me DVDs. There was ‘Tinker Tailor Soldier Spy’ and Hong Kong films, too. Watching them actually made me more confused. I’m not Chow Yun-fat. Ha.” As Park worked to project a tougher look, crew members also focused on presenting what he called “the coolest Park Geon.” Park said the lighting director studied his face from every angle, down to the height of a single strand of hair, to find the most effective visual design. “Before we started shooting, the lighting director told me to come to the production company office,” Park said. “They filmed my face 360 degrees and tried countless designs — hair up, hair down — to find a masculine look that fit me. The lighting director was under pressure, too. Ha. I had to look good.” Park said he also kept up daily routines to maintain his appearance on camera. “I mostly ran,” he said. “These days people call it ‘trimming the margins.’ Ha. Even after losing weight, I ran every morning to reduce puffiness before filming. It made a big difference.” Ryoo said Park’s preparation stood out to the entire set. “Jeong-min came in after losing a huge amount of weight,” Ryoo said. “I was surprised, and the staff were, too. He looked like a different person. As always, Park Jeong-min is known for thorough preparation and for immersing himself in his role. There are many actors with sculpted faces, but I think the actors we’re drawn to are the ones whose attitude shows on screen. Sometimes you can feel a person’s mind even in a shot of their back. In the end, what’s captured is the actor’s condition. A director can’t manufacture an actor’s charm. You can find an optimal angle and set the lights, but you can’t sustain it for two hours with that alone.” If Park reshaped himself with careful discipline, Zo In-sung, who plays a National Intelligence Service agent known as Manager Jo, began from a different place. Ryoo said he wrote the role with Zo in mind from the start, and described a strong overlap between the character and the actor. “The character’s name is ‘Manager Jo’ because I was thinking of Zo In-sung when I wrote the script,” Ryoo said. “Viewers will be curious about him, but you can think of Manager Jo as Zo In-sung. Ha. He lives alone, he only works, and when his own work (acting) doesn’t go well, he suffers. The sync rate is very high.” A walking scene that some viewers have described as a “runway” moment also drew differing, playful takes from actor and director. “I just walked,” Zo said. “They told me to walk in, so I walked in. Ha. There wasn’t any special direction. I thought it was important to carry over the emotion from the previous scene. I didn’t intend to walk in a cool way.” Ryoo said the scene was not designed to look like a runway, but that it stayed with audiences. “We didn’t deliberately make it like runway walking,” he said. “Zo In-sung is harder to shoot in short takes. There are long walking scenes early on for Park Geon, too — he walks a long way, even to a North Korean restaurant. But no matter how long Park Geon’s scene is, what stays with viewers is Manager Jo’s walk. Ha. I wanted to tell the story of someone who ultimately has to walk alone, someone who ends up alone at some point. In-sung actually stripped away model-like walking and kept it plain. He’s someone from a different world.” Ryoo’s view that an actor’s appeal is not created by a director but captured in the performer’s on-set “condition” runs through “Humint.” The film, he said, was filled by the actors’ hard-won self-proof — Park and Zo aiming for a strong image without losing humility, and bringing energy that contrasted with Vladivostok’s cold landscape.* This article has been translated by AI. 2026-03-03 16:33:30
  • BTS’ Jung Kook’s ‘Please Don’t Change’ Tops Worldwide iTunes Song Chart
    BTS’ Jung Kook’s ‘Please Don’t Change’ Tops Worldwide iTunes Song Chart BTS member Jung Kook’s solo track “Please Don’t Change” is gaining traction on global music charts. The song, from his solo album “GOLDEN,” ranked No. 1 on the Worldwide iTunes Song Chart dated Feb. 28. Released in November 2023, it has climbed back up the charts about two years later, holding the top spot for three straight days through the 27th and 28th. On the European iTunes Song Chart, it was No. 1 on the 26th and 27th and No. 2 on the 28th. On Spotify, the track has surpassed 219 million streams. Jung Kook’s cumulative streams stand at 6.79 billion, nearing 6.8 billion. 2026-03-03 08:33:16