Journalist

Yoo Joonha
  • BTS Comeback D-40: More than a pretty face — Jin
    BTS Comeback D-40: More than a pretty face — Jin *Editor’s Note — As BTS prepares to return as a full seven-member act with a new album set for March 20 and an open-stage performance at Gwanghwamun on March 21, following a near four-year hiatus for rotational military service, AJP revisits the group’s 13-year trajectory. This series reexamines BTS’s history, music, performance identity and enduring appeal. The second installment traces the BTS member Jin's roots and growth. SEOUL, February 09 (AJP) - With 40 days to go until BTS’s March 21 comeback show, fan attention is once again sharpening around individual members. Among them, Jin, the group’s eldest, is making clear he is not content with symbolic seniority. He topped the January Idol Ranking conducted by global fandom platform Star Planet, collecting 155,385 votes in a poll held from Jan. 1 to 25. The result earned him a week-long advertising feature at Digital Media City Station in Seoul — a familiar but still telling marker of sustained fan engagement. The numbers reflect more than online enthusiasm. Jin’s recent musical and performance results point to a solo career that has moved beyond experimentation. His title track “Don’t Say You Love Me” from the 2025 mini album Echo has surpassed 800 million cumulative streams on Spotify. His Blu-ray release #RUNSEOKJIN_EP.TOUR in JAPAN, documenting the final stop of his first solo tour, topped Oricon’s Weekly Video Ranking in early February, leading both the combined DVD/Blu-ray and Blu-ray-only charts. First-week sales exceeded 14,000 copies. These milestones are the product of gradual accumulation rather than sudden reinvention. Born on Dec. 4, 1992, Kim Seok-jin debuted with BTS in 2013 as a vocalist in a group initially driven by performance and rap-centered structures. As BTS’s albums grew more narrative and musically layered, his role expanded accordingly. His solo development began within group releases. “Awake” on WINGS (2016) introduced a restrained, introspective tone. “Epiphany” on LOVE YOURSELF 結 Answer (2018) became a thematic anchor in concerts. “Moon,” included on MAP OF THE SOUL: PERSONA (2019), broadened his appeal with a more accessible sound. That progression culminated in “The Astronaut” (2022), produced with Coldplay and released shortly before his military enlistment. The single charted globally and marked his transition toward independent visibility. Jin enlisted in December 2022 and served 18 months as an assistant drill instructor in Yeoncheon, becoming both the first BTS member to enter and complete mandatory service. He was discharged in June 2024. Since then, his solo work has shifted into album-centered form. HAPPY (2024) debuted at No. 4 on the Billboard 200, while Echo (2025) entered at No. 3, confirming steady upward momentum. The results suggest a developing catalogue rather than a series of isolated releases. Beyond music, Jin has maintained a consistent media presence through Run Seokjin and Netflix’s Kian’s Bizarre B&B, earning major variety and popularity awards in 2025. His commercial profile remains strong, with endorsement deals spanning fashion, beauty, food and technology — from Gucci and Fred to Laneige and Ottogi — reinforcing his reputation as a reliable sales driver. Across recording, touring, broadcasting and branding, Jin has quietly built one of the most structurally balanced solo portfolios within BTS. As the group moves toward its long-awaited full reunion, his trajectory stands out not for spectacle, but for continuity. Having navigated enlistment, reentry and reinvention ahead of his peers, Jin now returns to the group not simply as its eldest member, but as one of its most methodically prepared. The next installment will track SUGA. 2026-02-09 17:12:49
  • Tokyo turns calm as vote day nears, while Asia broadly retreats 
    Tokyo turns calm as vote day nears, while Asia broadly retreats  SEOUL, February 06 (AJP) - The Tokyo bourse held firm on Friday amid a broad retreat across Asia, as foreign investors trimmed exposure following a U.S. technology-sector scare. Japan’s Nikkei 225 rose 0.8 percent to close at 54,253.7, as sentiment steadied ahead of a pivotal snap election this weekend. Japanese voters head to the polls on Sunday, with the outcome expected to shape economic and security policy in the world’s third-largest economy and a key U.S. ally in Asia. Prime Minister Sanae Takaichi called the election to consolidate her grip on power, and opinion polls suggest her ruling bloc is on track to prevail, potentially reinforcing her stimulus-driven economic agenda. In contrast, South Korean stocks extended their recent pullback. The benchmark KOSPI fell 1.4 percent to 5,089.1, rebounding from an intraday low of 4,890 after earlier losses of more than 4 percent triggered a second sell-side sidecar this week. The index has shed more than 10 percent this week, marking the largest foreign-led profit-taking after monthlong rally. Investor flows were sharply divided. Foreign investors dumped 3.32 trillion won ($2.27 billion), while institutions bought 960.4 billion won. Retail investors stepped in with net purchases of 2.17 trillion won, helping to limit losses near session lows. Market weakness reflected renewed caution toward global risk assets, following overnight softness in overseas markets and lingering uncertainty over technology earnings and policy direction. Losses spread across major sectors, particularly automobiles, internet platforms and shipbuilding. Heavyweights declined on the main board. Samsung Electronics slipped 0.4 percent to 158,600 won, while SK hynix also fell 0.4 percent to 839,000 won. Hyundai Motor dropped 4.3 percent, NAVER retreated 3.1 percent, and Hanwha Ocean slid 3.7 percent, extending losses in shipbuilding shares. Amid the broad selloff, energy equipment and services stocks emerged as a rare pocket of strength, with the sector rising 5.4 percent, the best-performing industry of the session. Hanwha Solutions surged 15.4 percent to 42,000 won after announcing a financial cooperation agreement with Shinhan Bank to support solar development projects and expand its renewable energy value chain in North America. The move underscored sustained investor interest in energy-transition themes despite overall market weakness. Other gainers included Hurim Robot, up 3.1 percent, Celltrion, which rose 1.2 percent, and Hanmi Semiconductor, up 1.3 percent. The tech-heavy KOSDAQ underperformed, sliding 2.5 percent to 1,080.8. Foreign investors bought 66.0 billion won, while institutions sold 165.5 billion won. Retail investors added 148.2 billion won, pointing to selective dip-buying amid heightened volatility. In currency markets, the won was little changed at 1,468.8 per dollar. Precious metals moved in opposite directions, with domestic gold prices rising 1.36 percent to 228,796.40 won per gram, while silver slid 9.10 percent to $76.71 per troy ounce, reflecting continued liquidation pressure in parts of the commodities market. Elsewhere in Asia, markets were mixed. China’s Shanghai Composite slipped 0.3 percent to 4,065.6, while Hong Kong’s Hang Seng Index was down about 1 percent in late trading, underscoring persistent regional caution. 2026-02-06 17:59:53
  • Meet Koreas bread driver in the capital of bread – Daejeon 
    Meet Korea's bread driver in the capital of bread – Daejeon  SEOUL, February 06 (AJP) - Sixty-four-year-old An Sung-woo is not your typical South Korean taxi driver. His mornings resemble those of a corporate executive more than a cabbie. Immaculately dressed, he reviews a customized PDF itinerary on his tablet, fine-tunes it, and sends it to his clients with a courteous text. Then he goes to work — delivering bread. An’s passengers are not commuters or late-night revelers. They are bread connoisseurs. Devotees. Pilgrims. He ferries them to the finest bakeries and patisseries in Daejeon, widely regarded as Korea’s capital of bread. By the time his guests step out of the car, their pastries are reserved, still warm, and waiting. No queues. No disappointment. No sold-out signs. “The best part,” An says with a grin, “is watching their faces light up after the first bite. Some people actually moan. That’s when I know I’ve done my job.” Seoul, he insists, may have the best of everything — except bread. “For bread,” he says, “you come to Daejeon.” From Rice Bowl to Bread Basket Korea, once defined by rice, is quietly becoming a nation of flour. Per-capita rice consumption has nearly halved since the mid-1990s. Flour intake, meanwhile, continues to rise. Bakeries now dot every neighborhood. Social media overflows with pastry reviews. New slang reflects the obsession: bbangsooni (bread lover) and bbang sunrye (bread pilgrimage). Koreans no longer travel across town for a croissant. They travel across provinces. And many head south — 160 kilometers from Seoul — to Daejeon. As of August 2025, the city had 663 registered bakeries, up steadily from 538 in 2020. While other major cities have seen stagnation or decline, Daejeon’s bakery scene has expanded every single year, evolving into a full-fledged industry and cultural identity. Bread here is not a trend. It is infrastructure. How Daejeon Became Bread Country The roots trace back to the postwar years. After the Korean War, wheat flour flowed through Daejeon Station, a major railway hub. Flour-based foods took hold naturally. Bakeries followed. Then came a turning point. In 1956, a small steamed bun shop opened near the station. It was called Sungsimdang. Its success proved that bread could sustain a livelihood in Daejeon. Others followed: award-winning bakers, artisan pioneers, experimental chefs. Slowly, Daejeon transformed from a city with one famous bakery into a city of many. The annual Daejeon Bread Festival, launched in 2021, reflects that maturity. Today, multiple bakeries compete for top honors. Some even outperform Sungsimdang. Still, Sungsimdang remains a symbol. On its 60th anniversary, it received a papal honor. As it approaches 70, it continues to receive messages from the Vatican. Few bakeries anywhere in the world enjoy such status. But An offers a warning. “If you think Sungsimdang is all there is,” he says, “you’re missing most of the story.” Why a Bread Taxi Exists “At Sungsimdang, lines can stretch 800 meters,” An says. “By the time people reach the counter, they’re exhausted. No bread tastes good when you’re tired and frustrated.” When he first launched his private tours, he followed the crowds. “I remember taking clients there and finding everything sold out,” he recalls. “Their faces just fell. That’s when I knew reservations were essential.” Today, every stop is pre-arranged. The concept is simple: a private bread tour by taxi, tailored for small groups, designed to maximize pleasure and minimize waiting. The city also runs public “Bread City” bus tours, but they involve 45-seat buses and long stops. An’s model is boutique: one to three hours, up to four guests, 30,000 won per hour. Privacy. Efficiency. Warm bread. “That’s the difference,” he says. Most of my customers are women,” An says. “Middle-aged friends. University students. Office workers on weekend trips.” Some talk about bread nonstop. “Sometimes for three hours,” he laughs. “I just listen.” He does not advertise. Business flows through direct messages. “One early passenger was a YouTuber,” he says. “After one video, everything changed. Within three months, six videos had passed one million views.” Now he is booked through June, often running two tours a day. Foreign inquiries are increasing. Inside the Bread Taxi On tour days, An arrives early at the meeting point — often Tanbang Station — holding two loaf-shaped dolls. Inside, the taxi is a miniature bakery museum: bread cushions, pastry ornaments, custom tables. “I tested more than eight folding tables from overseas,” he says. “Only one was good enough for eating bread comfortably.” He greets guests with a gift bag: knife, wipes, gloves, cutlery, booklets, and city guides. Spreads — salted butter, cream cheese, balsamic oil — are always stocked. “I want every detail perfect,” he says. He refuses exclusive contracts with bakeries. “I don’t want anyone influencing my route,” he says. “Ads only help me keep prices stable.” A Ruthless Curator An’s standards are strict. “First, the bread must be good. Second, affordable. Third, good service,” he says. “If ingredients change, I notice immediately.” When standards slip, bakeries are dropped. “If quality wavers, the experience wavers.” He is currently reviewing six new shops. From more than 30 vetted bakeries, he designs each route. Many guests choose what he calls “bread omakase” — complete trust in the driver. “Most young women ask for that,” he says. “They just tell me what styles they like and leave the rest to me.” Inspiration from Japan The idea began abroad. “Fifteen years ago, I saw udon taxis in Japan,” An recalls. “I thought, ‘Why not do this in Korea?’” Plans were delayed after his business partner passed away. Years later, the idea resurfaced — this time with bread. “That’s how the pilgrimage was born.” At the end of each tour, An presents a final gift: a “Bbangtican Pilgrimage Certificate,” stamped with date, route number, and his self-designed logo. It is half souvenir, half joke — and entirely cherished. Only recently, he says, has he understood what this work means. “I realized that my happiness is real only when it makes others happy — my family, my guests.” He plans to expand slowly. “Step by step,” he says. “After all, I’m just a simple man driving people to good bread.” In Daejeon, that is more than enough. 2026-02-06 16:18:51
  • Asian stocks mostly down on US losses, Korean markets take a header
    Asian stocks mostly down on US losses, Korean markets take a header SEOUL, February 05 (AJP) -Korean stocks rode a volatile roller coaster downward Thursday on heavy foreign selling on global tech shares. The benchmark KOSPI tumbled 3.9 percent to close at 5,163.6, marking a steep pullback from recent record highs. The KOSPI 200 slid 4.2 percent to 757, reflecting broad-based losses among large-cap stocks, particularly in semiconductors and export-oriented names. Selling pressure was led by overseas and institutional investors. On the main board, foreigners dumped 5.01 trillion won ($3.43 billion), while institutions sold 2.07 trillion won. Retail investors stepped in aggressively to pick up a net 6.78 trillion won, although their dip-buying fell short of stemming the decline. The bullish sentiment was soured by overnight losses in global technology stocks. Shares of Advanced Micro Devices plunged more than 17 percent after issuing first-quarter revenue guidance pointing to a quarter-on-quarter decline. The weakness spread across the sector, with ASML down about 4 percent, while Nvidia and Broadcom each fell roughly 3 percent, dragging down global tech sentiment. Korean semiconductor and platform stocks followed suit. Heavyweights led losses on the KOSPI, with Samsung Electronics falling 5.8 percent to 159,300 won and SK hynix sliding 6.4 percent to 842,000 won, reflecting heightened sensitivity to global chip-sector weakness. Automakers and internet stocks also retreated. Hyundai Motor fell 3.1 percent, while NAVER lost 2.8 percent. Defense and shipbuilding names also came under pressure. Hanwha Ocean dropped 5.8 percent, while Hanwha Systems plunged 9.5 percent. Pharma Research tumbled 23.4 percent, marking one of the session’s steepest single-stock declines. Amid the broad selloff, solar-related stocks emerged as a rare pocket of strength. HD Hyundai Energy Solutions surged 16.2 percent to close at 81,900 won after soaring more than 25 percent intraday before paring gains. Hanwha Solutions also edged higher, rising 0.14 percent to 36,500 won. Market participants attributed the buying interest to improving prospects for the global solar market, supported by management comments pointing to stronger demand and pricing momentum in the U.S. solar sector. Sector-wise, losses were widespread, with only a handful of pockets showing resilience. Office equipment-related stocks posted gains, with the sector rising 4.37 percent, topping industry performance. The tech-heavy KOSDAQ mirrored the downturn, falling 3.6 percent to 1,108.4. Foreign investors sold 286.1 billion won, while institutions offloaded 539.9 billion won. Retail investors bought 903.4 billion won, signaling selective dip-buying in smaller-cap shares despite elevated volatility. On heavy foreign selling, the won weakened to 1,463.6 per U.S. dollar, down 3.1 won, or 0.21 percent. The damage was softer across Asia. Japan’s Nikkei 225 fell 0.9 percent to 53,818.04, China’s Shanghai Composite slipped 0.6 percent to 4,075.9, while Hong Kong’s Hang Seng Index held up, rising 0.1 percent to 26,880.3. 2026-02-05 17:18:31
  • K-Heritage Foundation, Aju Media join hands for K-heritage 5.0 era
    K-Heritage Foundation, Aju Media join hands for K-heritage 5.0 era SEOUL, February 05 (AJP) -The K-Heritage Foundation and Aju Media Group have joined hands to promote the digital preservation and global dissemination of Korea’s national heritage. The K-Heritage Foundation led by President Park Dong-seok, and Aju Media Group headed by President Lee Kwu-jin, signed a comprehensive memorandum of understanding (MoU) on Thursday to cooperate on the digital conservation, video production and international promotion of traditional Korean heritage. The agreement marks a key step in advancing the foundation’s “K-Heritage 5.0” vision. Under its 2026 business plan, the foundation has identified major initiatives including the globalization of a “Top 100 K-Heritage Video Archive” and the hosting of a UNESCO heritage expo in cooperation with countries that participated in the Korean War. Park said the Korean Wave must evolve beyond content consumption toward deeper values and heritage. “The Korean Wave should now move into the 5.0 era, expanding from entertainment into spirit, values and legacy,” Park said. “We aim to build a platform that shares Korea’s history and cultural heritage with global citizens, beyond K-dramas and K-pop.” He added that the video archive project and the UNESCO heritage expo would serve as foundations for systematically documenting Korea’s heritage and strengthening international cooperation. Under the agreement, the two sides will jointly pursue projects including digital recording and archiving of cultural assets, multilingual content production, global distribution platforms and public-interest cultural diplomacy programs. Lee said the K-Heritage 5.0 initiative represents the next stage of the Korean Wave. “This is a highly meaningful direction for the future of Korean culture,” Lee said. “It would be especially significant if this agenda is officially presented at this year’s UNESCO World Heritage Committee meeting in Busan.” He emphasized the role of media in preservation and outreach. “Our responsibility is to document and spread cultural value,” Lee said. “Aju Media will actively work to record disappearing craftsmanship, traditional skills and regional heritage through video and data, and share them with the world.” The partnership will initially run for one year from the signing date, with plans for automatic renewal. The two organizations will continue consultations and jointly develop projects to build a comprehensive global platform for Korean heritage. Through the agreement, the K-Heritage Foundation and Aju Media Group aim to transform Korea’s cultural legacy into a “future asset” to be shared by future generations and global audiences alike. 2026-02-05 12:11:22
  • KOSPI and Samsung Elec tower over Asian bourses
    KOSPI and Samsung Elec tower over Asian bourses SEOUL, February 04 (AJP) - Korean stocks continued to dominate regional markets on Wednesday, extending their record-setting streak and reinforcing South Korea’s growing influence in Asian equities. Samsung Electronics powered the rally, becoming the first Korean company to surpass 1,000 trillion won ($688 billion) in market capitalization based solely on common shares. The milestone cemented the chipmaking giant’s role as the anchor behind the KOSPI’s push into uncharted territory. Shares of Samsung Electronics rose 0.8 percent to 168,800 won, lifting its market value to 1,001 trillion won. The achievement was widely viewed as symbolic, marking not only a new chapter for the company but also underscoring a broader re-rating of Korea’s equity market led by heavyweight blue chips. Samsung’s advance helped drive the KOSPI up 1.6 percent to 5,371.1, marking the first close above the 5,300 level. The benchmark opened lower at 5,260.7, tracking overnight weakness in U.S. equities, but quickly reversed course and extended gains through the afternoon. The KOSPI 200 climbed 1.4 percent to 790.4, reflecting renewed institutional appetite for large-cap stocks. Institutions remained the primary driver, buying a net 1.78 trillion won, while foreign investors and retail investors sold 940 billion won and 1.01 trillion won, respectively. Beyond Samsung, gains spread selectively across cyclical and policy-sensitive names. Hyundai Motor rose 2.5 percent, while Doosan Enerbility jumped 5.8 percent, reinforcing strength in energy and infrastructure-related stocks. Sector performance pointed to a clear rotation into energy-linked names. Energy equipment and services stocks surged 16.02 percent, leading the market. Hanwha Solutions soared 30 percent to 36,450 won, while HD Hyundai Energy Solutions jumped 29.8 percent to 70,500 won, driven by expectations of sustained demand for energy infrastructure and storage solutions. EcoPro gained 3.5 percent, and Hanwha Ocean advanced 1.8 percent, extending gains across the broader industrial complex. The KOSDAQ lagged the main board but still closed higher, rising 0.5 percent to 1,149.4. The tech-heavy index underperformed as investors remained cautious toward growth stocks following recent volatility. On the secondary market, individual investors bought a net 234.5 billion won, while foreigners and institutions sold 53.9 billion won and 144.4 billion won, respectively. Some pockets of weakness persisted. SK hynix slipped 0.8 percent to 900,000 won, while NAVER fell 1.7 percent to 264,500 won. Healthcare technology was the weakest sector, down 2.5 percent, reflecting continued profit-taking. The won weakened further, with the dollar rising 2.1 won to 1,453.1. Global developments remained a key overhang. U.S. President Donald Trump announced new tariffs of 25 percent on imports from Canada and Mexico and 10 percent on Chinese goods. Although he later granted a one-month delay for Canada and Mexico after the two countries pledged stronger border controls, Trump warned that tariffs on China could be raised further if negotiations fail. European markets slid sharply on fears that similar measures could be extended to the European Union. Elsewhere in Asia, markets were mixed. Japan’s Nikkei 225 fell 0.8 percent to 54,293.4 amid trade jitters, while China’s Shanghai Composite rose 0.9 percent to 4,102.2, supported by selective buying in industrial and energy-linked stocks. 2026-02-04 17:42:54
  • BTS Comeback D-45: From humble beginning to a career build on accumulation
    BTS Comeback D-45: From humble beginning to a career build on accumulation Editor’s Note — As BTS prepares to return as a full seven-member act with a new album set for March 20 and an open-stage performance at Gwanghwamun on March 21, following a near four-year hiatus for rotational military service, AJP revisits the group’s 13-year trajectory. This series reexamines BTS’s history, music, performance identity and enduring appeal. The first installment traces the group’s roots and early growth. SEOUL, February 04 (AJP) - It took nearly two years after their 2013 debut for BTS — short for Bangtan Sonyeondan, meaning “bulletproof boy scouts” — to secure their first win on a Korean music show. What followed was not a sudden ascent, but a career built through steady accumulation: album by album, market by market, audience by audience. BTS debuted on June 13, 2013, with the single album 2 Cool 4 Skool. The title track “No More Dream” failed to break into the upper tiers of major domestic digital charts and did not earn a music show trophy. The album peaked at No. 5 on the Gaon Album Chart, now known as the Circle Chart. In the early phase, BTS placed less emphasis on short-term chart performance than on momentum through continuous releases. Following O!RUL8,2? later in 2013, the group released Skool Luv Affair and its first full-length album Dark & Wild in 2014, forming what would later be called the “school trilogy.” While these releases remained distant from Korea’s mainstream digital charts, the group’s fan base expanded steadily. Internationally, BTS began to register on niche overseas rankings, including Billboard’s World Digital Song Sales chart. Between 2014 and 2015, BTS embarked on its first solo concert tour, The Red Bullet Tour, which ran from October 2014 to August 2015 across 18 cities in Asia, Australia, North America and South America. The tour is now widely viewed as a precursor to the group’s later global touring scale. The release of “I NEED U” on April 29, 2015, marked BTS’s first music show win. Promotions continued with “RUN” and “Fire,” during which public recognition rose incrementally rather than explosively. In 2016, the group released WINGS, its first million-selling album. The title track “Blood Sweat & Tears” achieved an all-kill on domestic digital charts, topping real-time rankings across Melon, Genie, Mnet and Naver Music shortly after release. The song claimed six music show victories and topped the Gaon Digital Chart. At the 2016 Mnet Asian Music Awards, “Blood Sweat & Tears” won Best Male Dance Performance, while BTS received Artist of the Year — cementing the group’s position at the top of the domestic market and laying the groundwork for expansion into the U.S. charts, including their first entry on the Billboard 200. From 2017, BTS consolidated album-level success with the Love Yourself series — Her, Tear and Answer. During this period, the group repeatedly posted high rankings on the Billboard 200, signaling a sustained presence rather than a one-off crossover. A decisive turning point came on Aug. 21, 2020, with the release of “Dynamite,” which debuted at No. 1 on the Billboard Hot 100. Subsequent singles “Butter” and “Permission to Dance” also topped the chart, establishing BTS as a K-pop act with multiple Hot 100 No. 1 singles. Streaming metrics underscore the group’s reach. As of Nov. 26, 2025, BTS had accumulated 45 billion total streams on Spotify, earning a Guinness World Records title as the most-streamed male group on the platform. Key contributors included “Dynamite,” “Boy With Luv” and “My Universe.” Live performance has been another pillar of growth. BTS expanded into stadium tours across North America and Europe, drawing millions of attendees and consistently ranking among the top artists in global tour revenue. Between 2021 and 2022, the group staged the Permission to Dance on Stage concert series in cities including Seoul and Las Vegas. Earlier, in 2019, the concert film Love Yourself in Seoul was screened exclusively in theaters across 102 countries. Looking ahead, a new world tour spanning 34 cities and 80-plus shows is planned for 2026 and 2027, following the release of the group’s upcoming full-length album ARIRANG. BTS’s lineup has remained unchanged since debut. The group consists of RM (leader), Jin, SUGA, j-hope, Jimin, V and Jungkook — all of whom have songwriting, composition and production credits. Each member has also released official solo albums or singles during the group’s hiatus. The official fan club, ARMY, was established on July 9, 2013. Often described as standing for “Adorable Representative M.C. for Youth,” the fandom has demonstrated organized participation across album sales, streaming and touring — patterns that have consistently aligned with the group’s chart performance. At debut, BTS did not command Korea’s main charts. Over time, however, the group accumulated achievements across albums, touring and streaming, building a record that expanded from domestic recognition to sustained global presence. The next installment will examine the individual career paths and records of each BTS member. 2026-02-04 10:43:10
  • Asian equities tumble as Fed leadership shift triggers selloff
    Asian equities tumble as Fed leadership shift triggers selloff SEOUL, February 02 (AJP) - Asian equities tumbled on Monday, with South Korean markets suffering steep losses as global risk appetite deteriorated amid renewed uncertainty over U.S. monetary policy, prompting investors to dump risk assets across the region. South Korea’s benchmark KOSPI fell 5.26 percent to close at 4,949.67, the index’s sharpest single-day decline since April 7, 2025. The index opened sharply lower and extended losses through the session as foreign and institutional investors accelerated selling. The KOSPI 200 index, which tracks large-cap stocks, slid 5.6 percent to 725.5. Trading data highlighted the scale of the selloff. Foreign investors sold a net 2.59 trillion won worth of shares on the main board, while institutional investors offloaded 1.99 trillion won. Retail investors moved in the opposite direction, buying a net 4.45 trillion won in an attempt to absorb the market’s decline. Market heavyweights led losses. Samsung Electronics fell 6.3 percent, while SK hynix dropped 8.7 percent, erasing much of their recent gains. Automakers and battery makers also retreated sharply, with Hyundai Motor down 4.4 percent and Samsung SDI losing 8.7 percent, while Hanmi Semiconductor plunged 11.3 percent. The Korea Exchange triggered a program trading sidecar at 12:31 p.m., temporarily halting sell orders linked to index futures after sharp declines. The measure slowed selling momentum but failed to reverse negative sentiment. The tech-heavy KOSDAQ index mirrored the decline, falling 4.44 percent to 1,098.36, its first drop exceeding 4 percent since Aug. 1, 2025. The index briefly slid more than 5 percent during intraday trading as investors reduced exposure to high-growth and high-volatility shares. The downturn followed renewed uncertainty over U.S. monetary policy after former Federal Reserve governor Kevin Warsh was nominated as the next Fed chair, reviving concerns that policy could turn more hawkish. The development triggered repricing across global markets, lifting the dollar and pushing investors away from risk assets. Currency and commodity markets also saw sharp moves. The won weakened by 11 won to 1,463 per dollar. Precious metals also fell sharply, with gold sliding 9.9 percent and silver plunging more than 31 percent as investors liquidated positions across asset classes. The simultaneous selloff in equities, commodities and cryptocurrencies resembled past episodes of risk-off shocks, prompting market participants to label the session a “Black Monday” rout. Elsewhere in Asia, losses were also widespread. Japan’s Nikkei 225 fell 1.3 percent, while China’s Shanghai Composite dropped 2.5 percent, adding to regional market unease. 2026-02-02 16:58:46
  • K-pop acts walk away without trophies but leave mark on Grammy stage
    K-pop acts walk away without trophies but leave mark on Grammy stage SEOUL, February 02 (AJP) — K-pop artists left the 68th Grammy Awards without major wins on Sunday, but delivered high-profile performances and historic nominations that underscored the genre’s expanding presence on the global music stage. The awards ceremony was held at the Crypto.com Arena in Los Angeles, bringing together leading figures from the international music industry. BLACKPINK member ROSÉ became the first K-pop female solo artist to receive a Grammy nomination, earning a nod for Song of the Year for her collaborative track “APT.” with Bruno Mars. The award went to Billie Eilish for “Wildflower.” Despite missing out on the trophy, ROSÉ performed “APT.” with Mars during the ceremony, marking her Grammy stage debut and the first main-stage performance by a K-pop female soloist at the event. Released in October 2024, “APT.” is a pre-release single from ROSÉ’s first full-length album rosie. The song drew global attention upon release, debuting at No. 1 on Spotify’s Global chart and entering the UK Official Singles Chart Top 100 at No. 4 — the highest ranking achieved by a K-pop female solo artist. According to Spotify, the track surpassed 1 billion streams within 100 days of release and has since reached 2.2 billion cumulative streams. Rookie girl group KATSEYE also appeared on the Grammy stage as part of the Best New Artist showcase, performing “Gnarly.” The group, formed through K-pop-style training by HYBE and Geffen Records, received nominations for Best New Artist and Best Pop Duo/Group Performance for “Gabriela.” The Best New Artist award went to Olivia Dean, while Best Pop Duo/Group Performance was awarded to Cynthia Erivo and Ariana Grande for “Defying Gravity.” 2026-02-02 14:16:52
  • Golden takes home one grammy out of four nominations
    'Golden' takes home one grammy out of four nominations SEOUL, February 02 (AJP) - Expectations were high, but the climb proved steep for “Golden,” the original soundtrack from Netflix’s animated hit K-Pop Demon Hunters, at this year’s Grammy Awards. Despite entering the ceremony with four nominations, “Golden” secured just one trophy — Best Song Written for Visual Media — during the Grammys’ Premiere Ceremony. The track was also nominated for Song of the Year, Best Pop Duo/Group Performance, and Best Remixed Recording (Non-Classical). The coveted Song of the Year, one of the Grammys’ top General Field honors recognizing songwriting excellence regardless of commercial success, ultimately went to Billie Eilish for “Wildflower.” Released on June 20, 2025, “Golden” had drawn significant attention ahead of the ceremony following its strong global reception. Powered by the popularity of K-Pop Demon Hunters, the track became the first K-pop song to top both the Billboard Hot 100 and the UK Official Singles Chart, a rare crossover achievement for the genre. K-Pop Demon Hunters ranked among Netflix’s most-watched films of 2025 and emerged as a notable piece of global pop culture. With “Golden’s” Grammy win — in addition to its Golden Globe victory and an Academy Award nomination for Best Original Song — the film has already delivered a landmark moment for K-pop on the global awards stage. The Best Song Written for Visual Media award is presented to songwriters rather than performers, making all contributors to the track official Grammy Award winners. The song was co-written and produced by EJAE (Lee Jae), Teddy, 24, and producer collective IDO, comprising Lee Yu-han, Kwak Jung-kyu and Nam Hee-dong. The win marked the first Grammy Award for K-pop songwriters or producers for their creative work — a milestone widely noted within the global music industry. The Song of the Year category featured a particularly competitive lineup, including “Manchild” by Sabrina Carpenter, “luther” by Kendrick Lamar and SZA, “APT.” by Rosé and Bruno Mars, “DtMF” by Bad Bunny, “Anxiety” by Doechii, and “Abracadabra” by Lady Gaga. While “Golden” did not take home the night’s top songwriting honor, its nomination — coupled with its historic win — underscored the expanding presence of K-pop creators in the Grammys’ most competitive categories, long dominated by Western artists. 2026-02-02 14:16:36