Journalist
Han Jun-gu한준구
jungu141298@ajupress.com
PhotographerGeopolitics, Culture, History, People & Photo Journalist
Photojournalist, AJU PRESS (AJP)
Covering Asia's defining stories — from pressing issues and politics to culture and society — through a distinctly Asian lens. "I point the camera at what's there. That's the job."
Covering Asia's defining stories — from pressing issues and politics to culture and society — through a distinctly Asian lens. "I point the camera at what's there. That's the job."
Latest by Han Jun-gu
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Mugamseogi, healing dance in five colors of tears Draped in a shaman’s ceremonial robes, dancers pray for blessings through movement alone. Inspired by one of the most dynamic moments of “Gut: Whispering Steps” goes beyond simply recreating tradition on stage. Instead, it traces a journey through wounds and memory toward the strength to live again, expressing an ancient ritual through the language of the contemporary body. Mugamseogi is a ritual within Seoul gut in which the shaman removes her ceremonial robes and hands them to the person who has requested the ritual. Wearing the robes, the individual then dances freely, improvising through movement. At first glance, the ritual may seem to embody an act of dependence—entrusting one’s wishes to the shaman. Yet it also contains a more self-directed gesture by wrapping themselves in the robes, the individual symbolically takes divine energy into their own body and receives the blessing through their own movement. Choreographer Yoon Hye-jung draws on this tension between dependence and agency, reinterpreting the ritual as a deeply personal process of confronting one’s own struggles. In her work, the act of receiving a blessing becomes an act of self-empowerment in a way of gathering the inner strength and mental resilience needed to face hardship and move forward. The work unfolds through five “tears,” each drawn from the five traditional colors of gut - black, yellow, blue, red, and white. It begins with the Black Tear, a tangle of painful memories, before moving into the Yellow Tear, an awakening impulse to rise again. The journey passes through the coldness of the Blue Tear and arrives at the Red Tear, a moment of stepping back to see oneself with greater clarity and detachment. Finally, it reaches the White Tear: a state of release, letting go, and stillness. As the dancers move through this process of individual healing, their movements gradually expand beyond the self. What begins as a solitary journey becomes a shared, liberating celebration, culminating in a moment when everyone moves together as one. The stage props, too, were conceived not as literal reproductions of traditional gut objects, but as “ritual mediums” - vessels through which memories and emotions embedded in the body could be stirred and released. Prop designer Song Mi-young drew inspiration from the repetition, symmetry, and interplay of emptiness and fullness found in seolgyeong, a traditional form of folded and cut paper art, reimagining its patterns in the design of a fan. Bells, trailing threads, and a staff extend the shaman’s movements beyond the body, creating a tangible connection between the human and an unseen world Whispering Steps draws its roots from the rituals of our ancestors, yet what it discovers within them is an unmistakably contemporary language of healing. It becomes a journey in which each of us, not a shaman but ourselves, takes on the role of our own mugam, confronting the pain within and reclaiming the strength to keep moving forward. In the end, the performance leaves us with a simple message. The happiness found in an ordinary, peaceful life may be the truest blessing of all. 2026-09-11 17:52:58 -
Actress Lee Na-young attends photo call Lee Na-young (actress) poses at a photo call held at Casa Damiani Cheongdam in Gangnam-gu, Seoul, September 9, 2026. 2026-09-09 19:23:56 -
Actress Lee Na-young attends photo call Lee Na-young (actress) poses at a photo call held at Casa Damiani Cheongdam in Gangnam-gu, Seoul, September 9, 2026. 2026-09-09 19:23:06 -
Silvia Grassi Damiani, vice chair of Damiani, attends photo call Silvia Grassi Damiani (vice chair of Damiani) poses at a photo call held at Casa Damiani Cheongdam in Gangnam-gu, Seoul, September 9, 2026. 2026-09-09 19:22:00 -
Silvia Grassi Damiani, vice chair of Damiani, attends photo call Silvia Grassi Damiani (vice chair of Damiani) poses at a photo call held at Casa Damiani Cheongdam in Gangnam-gu, Seoul, September 9, 2026. 2026-09-09 19:20:58 -
Citizens shop ahead of Chuseok holiday Citizens shop at Gyeongdong Market in Dongdaemun-gu, Seoul, ahead of the Chuseok holiday, September 7, 2026. 2026-09-08 15:36:36 -
Citizens shop ahead of Chuseok holiday Citizens shop at Gyeongdong Market in Dongdaemun-gu, Seoul, ahead of the Chuseok holiday, September 7, 2026. 2026-09-08 15:33:38 -
Citizens shop ahead of Chuseok holiday Citizens shop at Gyeongdong Market in Dongdaemun-gu, Seoul, ahead of the Chuseok holiday, September 7, 2026. 2026-09-08 15:32:25 -
Citizens shop ahead of Chuseok holiday Citizens shop at Gyeongdong Market in Dongdaemun-gu, Seoul, ahead of the Chuseok holiday, September 7, 2026. 2026-09-08 15:31:06 -
On the steppe, a place of prayer: Astana's grandest mosque In the heart of Astana, rising from the vast Kazakh steppe, stands the Hazrat Sultan Mosque, one of Central Asia's largest Islamic sanctuaries. Completed in 2012, the mosque is difficult to miss. Four slender minarets rise high above its gleaming white facade, framing an enormous blue dome that seems to float against Astana's broad, open sky. On a clear afternoon, sunlight washed across the white stone, making the mosque almost luminous. From the edge of the vast plaza, its scale slowly came into focus. The minarets stretched upward like needles, while the sun appeared suspended between them for a moment, giving the scene an almost sacred stillness. Inside, the sense of scale grew even greater. The eye was drawn immediately upward toward the soaring dome and elaborate ceiling. Light slipped through intricately patterned windows and openings, tracing geometric shapes and soft shadows across the prayer hall far below. Yet the immense space did not feel empty. Some worshippers knelt quietly in prayer. Others rested along the edges of the hall. Children ran between adults, their footsteps and laughter rising briefly into the cavernous space before fading beneath the dome. Tourists walked slowly through the hall alongside worshippers, looking upward at the ornamented ceilings or pausing to take in the silence. Prayer, family life and sightseeing unfolded side by side, each at its own rhythm. Outside again, the wide plaza opened toward Astana's futuristic skyline and the seemingly endless steppe beyond. Kazakhstan's capital is a young city, built with monumental ambition on what was once an open expanse of grassland. Amid its glass towers and striking modern architecture, the Hazrat Sultan Mosque offers another expression of that ambition — one rooted in faith. For worshippers, it is a place of prayer. For visitors, it is one of Astana's defining sights. And beneath the immense blue sky of the steppe, its white walls, blue dome and four minarets form one of the capital's most enduring images. 2026-08-27 18:00:35