PHOTOS: Journey back to Joseon in heart of Seoul, Buam-dong's Mok-in Museum SEOUL, September 05 (AJP) - Tucked away in the quiet residential neighborhood of Buam-dong, Jongno-gu, the Mok-in Museum Mokseokwon feels like a hidden treasure waiting to be discovered. The first sight upon entering is the outdoor exhibition garden, where more than 800 stone carvings are spread across the grounds. Large and small statues stand at every corner, evoking the atmosphere of a Joseon-era stone mason’s workshop. Scholar statues and childlike figures appear to meet the visitor’s gaze no matter which direction one turns. Paths and stairways guide guests to different vantage points, allowing the entire garden to be viewed from multiple angles. Below the outdoor space, the underground exhibition hall holds the museum’s most striking collection: more than 12,000 wooden figurines. Descending the stairs feels like stepping into another world, mysterious and slightly eerie. Under soft lighting, row upon row of carved wooden figures stand in dense formation, each with a unique face and posture. Some carry objects on their heads, others brandish swords mid-swing, while some appear dressed for a wedding with colorful hanbok and painted cheeks. Many carry playful or satirical expressions, grinning broadly or pulling mischievous smiles. Among the most memorable displays are the funeral bier decorations. The bier, once used to carry the deceased, is flanked by wooden guardians standing tall and upright, believed to guide souls safely to the afterlife. These were not merely decorative objects but reflections of ancestral beliefs and spirituality. Looking closely, one sees the fine workmanship of past artisans—the carved folds of clothing, the contours of faces, and the details etched into wood. Comparing figurines from different regions highlights distinct local characteristics, adding another layer of interest. In one corner of the outdoor garden, roof tiles once used in traditional architecture are displayed. Known as maksae giwa, these decorative end tiles were believed to ward off misfortune and invite blessings. Each tile carries its own expressive design, as if ancient guardians once perched on rooftops have gathered here. Another gallery showcases Haiju white porcelain from the late Joseon era, produced in Hwanghae Province. Their simple yet elegant forms glow under subtle lighting, distinct from Chinese porcelain. Especially striking are the pieces adorned with Hangul inscriptions rather than the more common Chinese characters. From painted animals to written phrases, the collection reveals the essence of Joseon-era ceramics. The rooftop garden offers sweeping views of Seoul’s skyline and the ridges of Bukhansan Mountain. Arranged across the terrace are large traditional jars, some painted, some dented or overturned, glowing softly in the sunlight against the green backdrop. It is a harmonious blend of folk art and natural scenery, offering visitors the feeling of a time slip into Korea’s past at the edge of a modern city. Leaving Mokseokwon, it is clear this museum holds meaning far beyond its collections. The 12,000 wooden figures, 800 stone sculptures, roof tiles, jars, and porcelains are all time capsules carved and shaped by ancestors. They preserve everyday life, faith, and creativity, carried forward through art into the present. 2025-09-05 15:10:32

PHOTOS: From darkness to light, Gwangmyeong Cave SEOUL, August 27 (AJP) - Standing at the entrance of Gwangmyeong Cave, the sweltering 35-degree summer heat gives way to a sudden chill of 12 degrees. The cool air feels like a natural air conditioner, yet it carries the weight of history. An information board reminds visitors that this was once the Siheung Mine, opened in 1912 during Japan’s colonial rule, when tunnels were dug to extract gold, silver, copper, and zinc. The very path now walked by tourists was once carved for forced labor. The deeper one goes, the clearer the traces of the past become. Vertical shafts open in all directions, massive chambers blasted out with dynamite, and ceilings so low one can almost touch them. From 1912 to 1945, Korean laborers were forced to mine here under harsh and dangerous conditions, their work fueling the war machine of imperial Japan. With no proper equipment and the constant risk of collapse, the suffering of those years is palpable in the darkness. At its peak, the mine produced more than 250 tons of ore a day, making it the largest metal mine in the Seoul metropolitan area. The site is built on eight levels, from ground level to seven stories below. Today, underground water has flooded levels two through seven, turning them into submerged caverns. Even the first level, now open to the public, was once filled with water until it was drained. When the mine closed in 1972, it was abandoned for over 40 years. The tools of the miners lay forgotten in the dark, while environmental damage from floods in the 1970s scarred nearby fields. The space remained sealed until 2011, when the city of Gwangmyeong began restoring it, determined to turn a place of pain into a place of remembrance and hope. Deeper inside, a dazzling scene unfolds. Beams of light cascade from the ceiling in the “Wormhole Plaza,” while the Golden Waterfall glitters under golden lighting, its flow transformed into art. What was once water to quench miners’ thirst has become a centerpiece for visitors. Other displays include massive statues of Yoda and dragons, alongside pop culture figures. One of the most unique sections is the Wine Cave, where bottles of Korean wine are stored and aged under the cave’s steady temperature and humidity. What was once a chamber for storing minerals has been transformed into a space for cultivating homegrown wines, which visitors can also purchase. The cave also preserves its mining past through exhibitions of tools, uniforms, and photographs that recreate the miners’ daily lives. The site now attracts more than one million visitors each year, becoming a landmark of Gwangmyeong. That such a place exists less than an hour from Seoul is a surprise to many. The power of the site lies in its ability to preserve painful history while giving it new value. Rather than erasing the scars, Gwangmyeong Cave transforms them into a place of reflection and renewal. It is, in every sense, where darkness has turned into light. 2025-08-27 17:29:11

PHOTOS: One Dance, a modern reinterpretation of Joseon royal ritual dance (5) SEOUL, August 22 (AJP) - A media showcase for One Dance, a contemporary Korean dance performance, was held at the Sejong Center for the Performing Arts in central Seoul. The performance reimagines Ilmu, the ritual dance from Jongmyo Jeryeak, which is inscribed on UNESCO’s list of Intangible Cultural Heritage of Humanity. Jongmyo Jeryeak refers to the music, song, and dance performed during ancestral rites at Jongmyo, a royal shrine honoring the spirit tablets of kings and queens from the Joseon Dynasty. Among them, the dance segment is called Ilmu, meaning “line dance,” as dancers move in coordinated rows. On stage, up to 49 performers present a powerful group choreography, allowing audiences to experience Korea’s cultural richness through synchronized visuals and sound. The performance runs for 70 minutes. 2025-08-22 15:54:26

PHOTOS: One Dance, a modern reinterpretation of Joseon royal ritual dance (4) SEOUL, August 22 (AJP) - A media showcase for One Dance, a contemporary Korean dance performance, was held at the Sejong Center for the Performing Arts in central Seoul. The performance reimagines Ilmu, the ritual dance from Jongmyo Jeryeak, which is inscribed on UNESCO’s list of Intangible Cultural Heritage of Humanity. Jongmyo Jeryeak refers to the music, song, and dance performed during ancestral rites at Jongmyo, a royal shrine honoring the spirit tablets of kings and queens from the Joseon Dynasty. Among them, the dance segment is called Ilmu, meaning “line dance,” as dancers move in coordinated rows. On stage, up to 49 performers present a powerful group choreography, allowing audiences to experience Korea’s cultural richness through synchronized visuals and sound. The performance runs for 70 minutes. 2025-08-22 15:46:38

PHOTOS: One Dance, a modern reinterpretation of Joseon royal ritual dance (3) SEOUL, August 22 (AJP) - A media showcase for One Dance, a contemporary Korean dance performance, was held at the Sejong Center for the Performing Arts in central Seoul. The performance reimagines Ilmu, the ritual dance from Jongmyo Jeryeak, which is inscribed on UNESCO’s list of Intangible Cultural Heritage of Humanity. Jongmyo Jeryeak refers to the music, song, and dance performed during ancestral rites at Jongmyo, a royal shrine honoring the spirit tablets of kings and queens from the Joseon Dynasty. Among them, the dance segment is called Ilmu, meaning “line dance,” as dancers move in coordinated rows. On stage, up to 49 performers present a powerful group choreography, allowing audiences to experience Korea’s cultural richness through synchronized visuals and sound. The performance runs for 70 minutes. 2025-08-22 15:38:33

PHOTOS: One Dance, a modern reinterpretation of Joseon royal ritual dance (2) SEOUL, August 22 (AJP) - A media showcase for One Dance, a contemporary Korean dance performance, was held at the Sejong Center for the Performing Arts in central Seoul.The performance reimagines Ilmu, the ritual dance from Jongmyo Jeryeak, which is inscribed on UNESCO’s list of Intangible Cultural Heritage of Humanity. Jongmyo Jeryeak refers to the music, song, and dance performed during ancestral rites at Jongmyo, a royal shrine honoring the spirit tablets of kings and queens from the Joseon Dynasty. Among them, the dance segment is called Ilmu, meaning “line dance,” as dancers move in coordinated rows. On stage, up to 49 performers present a powerful group choreography, allowing audiences to experience Korea’s cultural richness through synchronized visuals and sound. The performance runs for 70 minutes. 2025-08-22 15:18:33

PHOTOS: One Dance, a modern reinterpretation of Joseon royal ritual dance (1) SEOUL, August 22 (AJP) - A media showcase for "One Dance", a contemporary Korean dance performance, was held at the Sejong Center for the Performing Arts in central Seoul. The performance reimagines Ilmu, the ritual dance from Jongmyo Jeryeak, which is inscribed on UNESCO’s list of Intangible Cultural Heritage of Humanity. Jongmyo Jeryeak refers to the music, song, and dance performed during ancestral rites at Jongmyo, a royal shrine honoring the spirit tablets of kings and queens from the Joseon Dynasty. Among them, the dance segment is called Ilmu, meaning “line dance,” as dancers move in coordinated rows. On stage, up to 49 performers present a powerful group choreography, allowing audiences to experience Korea’s cultural richness through synchronized visuals and sound. The performance runs for 70 minutes. 2025-08-22 15:05:09

[[K-Culture]] Action-hero TV series 'Twelve' to premiere this Saturday SEOUL, August 20 (AJP) - The cast and crew of “Twelve,” a new action-hero series produced in part by the actor Ma Dong-seok, gathered for a news conference Wednesday in Seoul. The event, held at the Ambassador Seoul Pullman Hotel, was attended by Ma, along with co-stars Park Hyung-sik, Seo In-guk, Lee Joo-been, Kang Mi-na, Sung Yu-been, Ahn Ji-hye, and Regina Lei. The show's directors, Kang Dae-kyu and Han Yun-seon, were also present. Inspired by the Eastern zodiac’s twelve guardian animals, “Twelve” follows a group of angels living as humans who fight to protect humanity from forces of evil. The series marks Ma’s return to the fantasy hero genre, a move that has generated significant anticipation following his starring role in Marvel Studios’ “Eternals.” “Twelve” is scheduled to premiere on KBS 2TV on Saturday, Aug. 23, at 9:20 p.m. 2025-08-20 17:41:31

PHOTOS: A street where time stands still, Dongdaemun Stationery and Toy Market SEOUL, August 19 (AJP) - The Dongdaemun Stationery and Toy Wholesale Market, with around 100 shops, is the largest of its kind in South Korea. Stretching across a 200-meter intersection in every direction, the market is lined with stores offering every imaginable type of stationery and toy, inviting visitors to browse, touch, and choose at leisure. Walking down the street feels like stepping into a time machine. Shop windows burst with color, filled with red fire trucks, yellow-haired dolls, and blue transforming robots neatly on display, evoking the atmosphere of a massive toy museum. Inside, shelves stacked to the ceiling hold rows of dolls ranging from teddy bears and princesses to superhero figures. Some stores still display spinning tops and pencil-case toys from the early 2000s, now covered in a layer of dust, while just next door, transparent tubs overflow with rainbow-colored building blocks. Old learning booklets for practicing Hangul, coloring books, and maps of Korea, their pages faded with time, add to the sense of nostalgia. Step inside a shop and the scent of plastic and cardboard greets you, unlocking childhood memories. Under the fluorescent lights, shiny figurines of the latest animation characters share space with walls full of crayons and colored pencils, while in the corners sit marbles and tops from the past. From Pororo and Power Rangers to Dragon Ball and Pokémon, toys beloved by different generations coexist side by side. The market’s biggest draw remains its prices. Many items sell at roughly 30 percent below retail, a reason families continue to visit. Yet the hustle and bustle is mostly confined to weekends or special days like Children’s Day. "There are fewer kids now, and online shopping has taken over. It’s not like before," one shop owner admitted with regret.​​​​​​​ Still, the market offers experiences that online shopping cannot. Parents and children can compare hundreds of toys at once, watch a child’s reaction firsthand, and receive recommendations from merchants who know every cartoon and character by heart. Their advice often feels more vivid and trustworthy than online reviews.​​​​​​​ Changsin-dong’s toy street continues to hold its ground against the tide of change. Though the crowds have thinned, it remains a place to relive old memories and create new ones. Nestled among Dongdaemun’s gleaming shopping malls, this modest but enduring market reveals another side of Seoul. Here, where time seems to pause, adults revisit their childhood while children dream of the future.​​​​​​​ 2025-08-20 11:11:25

PHOTOS: Event showcases beauty of hanbok SEOUL, August 12 (AJP) - The beauty of hanbok, or traditional Korean dress, continues to capture global attention, fueled by the huge popularity of South Korean dramas and films overseas. Hosted by the Ministry of Culture, Sports and Tourism and organized by the Korea Craft & Design Foundation, a four-day event was held last week in southern Seoul to ride the wave of hanbok's rising popularity, showcasing a diverse range of hanbok from over 150 brands. The collection included elegant, classical styles as well as creative and practical designs with modern touches by young designers, along with bags featuring traditional quilting techniques. The annual event, which marked the eighth time this year, offered participants a chance to learn about hanbok, which represents the country's aesthetic tradition, evolving in contemporary fashion with its sophisticated lines, vibrant colors, and elegant silhouette. Visitors were able to try on and purchase hanbok along with traditional accessories while appreciating the various hanbok on display. Free admission was also offered to those wearing hanbok, encouraging more people to be spotted at the event in traditional dress. Even those who were unable to wear hanbok could explore the event with an affordable admission fee of 5,000 won (about US$3–4). A fashion show featuring various hanbok for children and adults, with themes based on the country’s four distinctive seasons, was also held on the first day of the event last Thursday. Many booths featured their own unique themes including one where visitors could experience ddakji, a traditional paper tile game that gained fame through Netflix's hit series "Squid Game." 2025-08-12 18:08:16