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  • Kim Jong Un Visits China, Emphasizes Friendship Without Meeting Xi Jinping
    Kim Jong Un Visits China, Emphasizes Friendship Without Meeting Xi Jinping Kim Jong Un, the Chairman of North Koreas State Affairs, visited Dandong in Liaoning Province, China, ahead of the 6.25 War anniversary, emphasizing the blood alliance and friendship between North Korea and China. Notably, Kim did not hold a summit with Chinese President Xi Jinping during this trip, completing his visit in one day. According to the Korean Central News Agency, Kim visited Dandong on October 24 to commemorate the 76th anniversary of the Chinese Peoples Volunteer Armys participation in the Korean War and toured the Anti-American Aid Memorial Hall. China designates October 25, the date it claims marks its militarys first victory in the Korean War, as Anti-American Aid Day, which signifies support for North Korea against the United States. Kim was welcomed by Wang Huning, Chairman of the Chinese Peoples Political Consultative Conference, who ranks fourth in the Chinese power hierarchy. Other attendees included Wang Yi, head of the Central Foreign Affairs Commission and Foreign Minister, Liu Haixing, head of the International Liaison Department, and Xu Kunlin, Secretary of the Liaoning Provincial Party Committee. Accompanying Kim were Jo Yong-won, Secretary of the Workers Party, Foreign Minister Choe Son-hui, Party Secretaries Ri Il-hwan and Kim Song-nam, First Deputy Prime Minister Kim Tok-hun, Party Department Head Kim Yo-jong, and Deputy Party Director Kim Jae-ryong. During the visit, Kim laid a wreath at the Anti-American Aid Memorial while the national anthems of both countries played, honoring the fallen Chinese soldiers. The wreath bore the inscription, We will forever remember the martyrs of the Chinese Peoples Volunteer Army, along with Kims title and name. Kim stated, Our people will forever remember the glorious alliance we fought alongside the Chinese people, adding, We will pass down our eternal gratitude to the Chinese people who helped our revolution with their blood. He also remarked that the memorial is a noble testament to the indestructible friendship between China and North Korea, emphasizing the importance of remembering their shared history of overcoming trials together. As a gift to the memorial, Kim presented a plaque featuring a photo of Kim Il-sung, inscribed with a handwritten message expressing eternal gratitude and respect for the Chinese Peoples Volunteer Army. In discussions with Wang, Kim expressed gratitude to Xi and requested that Wang convey his greetings and best wishes. He affirmed that North Korea would not forget the history of the Chinese people aiding their revolution with blood. Kim also praised Chinas international standing, attributing it to the efforts of the Communist Party of China under Xi Jinpings leadership. Wang responded by conveying Xis greetings and noted that Kims visit to the memorial holds significant meaning for developing traditional friendship and camaraderie between the two nations. Xi sent greetings to Kim through Wang and arranged a banquet to welcome Kims visit as a special directive. Following the memorial visit, Kim toured a bus factory in Dandong, inspecting production facilities and encouraging workers. He then returned to North Korea via the newly opened Xinan River Bridge, which officially opened on October 15. The Xinan River Bridge, connecting Dandong and Sinuiju in North Pyongan Province, features four lanes and spans a total length of 3,026 meters. This marks the first time Kim has publicly visited the site since its opening. At the midpoint of the bridge, Kim remarked, This bridge will fulfill its historic mission of connecting our two countries and strengthening our bonds. Wang and other Chinese officials accompanied Kim to the midpoint to see him off. This visit marks Kims sixth trip to China since taking office and is his first return since attending the Victory Day celebrations in Beijing in September of last year. Notably, it is the first time Kim has returned from China without meeting Xi Jinping. * This article has been translated by AI. October 25, 2026 09
  • The Legacy of Song Seong-yong: A Journey Through Korean Calligraphy
    The Legacy of Song Seong-yong: A Journey Through Korean Calligraphy As autumn deepens in October, a special calligraphy exhibition titled One Word Calligraphy Exhibition is set to open in Insadong, Seoul. Words like flower, heart, love, and sinabro—terms we use daily yet often overlook—are given new life through the brushstrokes of artists. This exhibition focuses not on lengthy poems or grand sentences, but on single words that encapsulate a persons life, a nations culture, and sometimes even the mysteries of the universe.The exhibition, organized by the Gangam Calligraphy Academic Foundation, will run from October 28 to November 3 at the Korean Art Museum in Insadong, followed by a display at the Jeonju Jeollabuk-do Arts Center from November 6 to 12. Among the 117 works contributed by calligraphers nationwide, 85 are in Hangul and 32 in Hanja. This exhibition serves as a platform for discovering the beauty of language and showcases how the tradition of Korean calligraphy continues to thrive in contemporary culture.One name that comes to mind in connection with this exhibition is that of Song Seong-yong (1913-1999), known as Gangam. He was not only a master calligrapher but also a spiritual leader whose teachings have been passed down to his students, who have cultivated their own artistic expressions across the country. His son, Song Ha-jin, a former governor of Jeollabuk-do, has also returned to calligraphy after leaving public office, exploring new avenues in Hangul calligraphy.The spirit of an artist flows from person to person and from generation to generation. Culture begins with an individuals talent but becomes history through the love and practice of many.Song Seong-yong: Elevating Human Dignity Through BrushworkBorn in 1913 in Gimje, Jeollabuk-do, Song Seong-yong was raised by his father, a Confucian scholar. For him, calligraphy was not merely a technical skill but a spiritual practice that reflected ones character and attitude toward the world.The most challenging aspect of calligraphy may not be mastering the brush but rather mastering oneself before moving the brush. Grinding ink, regulating ones breath, and clearing the mind before making the first stroke are forms of self-reflection for the calligrapher.The brush reveals the truth; impatience leads to shaky lines, excessive force results in rigid strokes, while too little pressure causes loss of balance. One must find harmony between strength and softness, movement and stillness, fullness and emptiness.The question posed by the name Gangam is profound: What is true strength? Is it the power to dominate others, or is it the restraint and principles that protect oneself? I believe it is the latter. Interpreting Gangams calligraphic spirit in contemporary terms suggests a balance between a firm spirit and flexible expression. Principles should be solid, yet expression must be free, respecting tradition while embracing new creation.Calligraphy is an art of lines, but it also questions human dignity. The beauty of writing is not merely in its appearance; it is the culmination of years of training and reflection that moves the viewers heart.The value of Gangams legacy cannot be measured solely by the number of works or fame. He prompts us to consider what humans learn throughout their lives and how they refine themselves through calligraphy.Students of a Great Master: Creating Independent Artistic WorldsThe greatness of a master is not solely determined by the number of students they produce but by how those students grow into independent artists.Those who inherit Gangams calligraphic spirit are active across the country, including Jeollabuk-do, continuing the tradition of Korean calligraphy through their works, education, and exhibitions. Organizations like the Gangam Calligraphy Association facilitate this exchange and activity.However, it is essential to clarify that merely replicating a masters handwriting does not constitute true inheritance. Art evolves when the spirit left by the master is expressed anew through the lens of ones own time and sensibilities.Some calligraphers delve deeply into traditional Chinese calligraphy, while others develop the form of Hangul, and still others reinterpret the structure and whitespace of characters with a modern sensibility. Despite their different paths, they share a common spirit of respecting the brush and refining themselves through writing.This One Word Calligraphy Exhibition provides a stage for such originality. Artists must showcase their artistic worlds through a single word, rather than relying on lengthy sentences or famous verses. While the meaning of the word may be the same, the speed and thickness of the strokes, the inks depth, and the whitespace differ from artist to artist.One artist may depict flower as a symbol of vibrant life, while another may express the loneliness of falling petals. The word heart can evoke tranquility for one artist and passion for another.This is the creativity of calligraphy. While tradition teaches form, art allows one to discover their voice within that form.The flourishing of Gangams students and successors across the country resembles a large tree giving rise to a new forest. They do not remain in the shadow of their master but draw vitality from the roots to grow toward their own skies.The Gangam Calligraphy Foundation: Transforming a Legacy into Cultural HeritageThe Gangam Calligraphy Academic Foundation plays a crucial role in preserving Gangams spirit to this day. Established in 1993, the foundation celebrated its 30th anniversary in 2023. It has worked to promote calligraphy culture, inspire creativity among calligraphers, and nurture future generations.The Jeonju Gangam Calligraphy Museum, opened in 1995, serves as a cultural space where Gangams spirit resides. It preserves and exhibits not only his works but also valuable materials from the history of Korean painting and calligraphy for future generations. The Gangam Calligraphy Competition also serves as a pathway to discover new talent and encourage creative activities.The foundations role should not be limited to commemorating a single artist. It must continually question what cultural heritage means for todays citizens and future generations while preserving it.The initiative by Chairwoman Song Hyun-sook to plan this exhibition is noteworthy in this regard. By focusing on everyday words rather than lengthy classics or familiar calligraphic forms, she aims to bridge the gap between calligraphy and the public.The concept of one word is simple yet profound. Its brevity demands deeper reflection. A single character or stroke can change the entire atmosphere of a piece. Even whitespace becomes an expression of the artist.The foundations future tasks are clear: systematically research and preserve Gangams works and records, connect the artistic achievements of his students and successors, teach calligraphy to youth, and promote the beauty of Hangul calligraphy to the world.Cultural heritage is more important to share than to possess. Preservation alone keeps us in the past, while education and creation lead us to the future.Son Song Ha-jin: Embracing His Fathers Artistic LegacyIt is impossible to discuss Gangams artistic legacy without mentioning his fourth son, Song Ha-jin, a former governor of Jeollabuk-do.Song Ha-jin led local administration for 16 years, serving as mayor of Jeonju for eight years and governor for another eight. However, alongside his public service, he has roots as the son of a calligrapher.After leaving public office, he has begun to fully develop his own artistic world as a calligrapher. In 2023, he was elected as the organizing committee chair for the World Calligraphy Jeonbuk Biennale, taking on a role in international calligraphy exchange and the development of Jeonbuks calligraphy culture.In particular, in October 2025, he held an exhibition titled K-Calligraphy with the Beauty of Hangul: The Works of Song Ha-jin at the Park Yeon Cultural Center in Sejong Government Complex, showcasing over 60 pieces of Hangul calligraphy.This fact prompts various reflections.For someone who has spent many years in the world of politics and administration to return to the brush signifies more than just a hobby. While administration moves society through systems and organizations, calligraphy is about refining ones inner self and expressing ones spirit.Of course, Song Ha-jins works should be evaluated based on their artistic merit, independent of his public career or his fathers fame. Nevertheless, it is noteworthy that he has chosen Hangul calligraphy as his new realm of activity after leaving public office.Rather than merely imitating his fathers brushwork, he is creating new pieces through his own experiences and sensibilities. Inheriting Gangams legacy ultimately gains meaning through such independent creation.Song Ha-jins ongoing interest in the activities of the Gangam Calligraphy Academic Foundation and the development of calligraphy culture can also be seen as a reflection of his appreciation for his fathers spiritual legacy. However, the true value of that affection lies not only in preserving the family name but also in expanding the creative environment for calligraphers and creating opportunities for the next generation to take up the brush.While the father lived his era through calligraphy, the son walked the path of administration before re-entering the world of calligraphy. Their lives are different, yet their cultural connection through the brush and ink is profound.Life may have retirements, but the growth of the spirit knows no retirement. Discovering a new self in another world after completing a role in one field is also a beautiful aspect of life.Flower Represents Nature, Heart Represents Humanity, and Calligraphy Represents CultureConsider the word flower among the words featured in this exhibition. A flower is not merely a part of a plant. It is the result of roots that have endured winter, the time spent waiting for spring, and the life created by sunlight, wind, and water.If a calligrapher writes the character for flower, they are not just reproducing a single character. They can encapsulate their experiences of spring and autumn, encounters and farewells, and the beauty and transience of life.What about heart? Humans do not fully understand their own hearts. They experience joy and sorrow, love and hate, certainty and doubt. Expressing that invisible world through brush movements transforms the human inner self into visual art.The word love embodies the relationships between humans. Loving family and neighbors, as well as nature and culture, ultimately means not placing oneself at the center.And then there is sinabro, a gradual change that occurs without one noticing. The growth of trees, the maturation of people, and the accumulation of culture all represent sinabro. The process of Gangams spirit being passed down to his students and successors, and Song Ha-jin taking up the brush again, can also be interpreted as a cultural inheritance developed over a long time.We view humanity, culture, and nature as an inseparable world. Humans are born from nature and create culture, which embodies the wisdom of living in harmony with nature.Calligraphy is the art where these three worlds converge. The spirit of humanity settles on brushes, ink, and paper made from materials derived from nature, and that trace becomes culture.The whitespace in calligraphy is also significant. The space without characters is not an empty void. It is the breath between lines, a connection between the visible and the invisible.Our society fills spaces with too much. Buildings, roads, advertisements, images, information, and noise fill our daily lives. Yet, the time to think and the space to reflect on our hearts are diminishing.Calligraphy asks us: Is it not more important to consider what we leave behind and what we leave empty than how much we fill?In the Age of AI, What Should Humanitys Brush Preserve?Now, artificial intelligence can write, draw, and compose music. By entering a single word into a computer, countless fonts and images can be generated in an instant.Does this mean that the act of holding a brush becomes unnecessary?I focus on the opposite possibility. As technology advances, we must question the meaning of human actions even more deeply.AI can learn and imitate the visual characteristics of calligraphy. However, it cannot replicate the life experiences and years of training that a person accumulates while holding a brush.Each stroke made by a human carries the breath of that day, the state of their body, and the memories of their life. The ink that settles on paper cannot be easily undone. This irreversibility demands responsibility and concentration from the artist.What humans must preserve in the age of AI is not merely manual skill. It is the values that determine what to express, the reflection on why a particular word was chosen, and the responsibility for how to connect with others through their work.The spirit of calligraphy extends into the ethics of language. We exchange countless words daily, but how many of those words do we take responsibility for? Do we speak of love while ignoring our neighbors, advocate for justice while condoning injustice, and champion freedom while infringing on the dignity of others?Just as it is important to draw a proper stroke, it is equally important to treat a person with respect. We must consider the balance of writing as we do the balance of society and leave space for the freedom of others as we do for whitespace on paper.Rice, Work, and Dreams: The Cosmic Spirit Encapsulated in One WordI often think of human life in terms of three words: rice, work, and dreams. Rice represents survival, work signifies responsibility to the world, and dreams are the force that leads humanity beyond current limitations.If there is only rice without dreams, life becomes barren; if there are dreams without work, changing reality becomes difficult. If there is only work without love for humanity, achievements may remain, but the fragrance of life fades.What would it look like if we wrote those three words with a brush? Rice would evoke the hands of farmers tilling the land and family gatherings at the dinner table. Work would embody the sweat of those quietly holding their positions. Dreams would carry the hopes of humanity toward a future yet to come.The lives of Gangam, his students who carry on his spirit, and Song Ha-jin, who is unfolding a new artistic world after leaving public office, ultimately converge on the question of how to complete the life given to them.In that process, there are words we must not forget: truth, justice, and freedom. Truth warns us against falsehood, justice compels us to consider the dignity of the weak, and freedom protects the right of individuals to think and choose for themselves.If these words are not practiced in life, no matter how beautifully they are written, they remain mere decoration. What calligraphy teaches us is not just the form of beautiful writing but the attitude of living in accordance with the words we have written.As autumn deepens and trees shed their leaves, nature prepares for the next spring while wrapping up the years time. People, too, must sometimes reduce their words and gather their hearts. Stepping away from the noise and information to gaze at a single word on paper for a while can change our inner selves.The spirit left by Song Seong-yong has not ended as a legacy of one era. His students and successors across the country continue to carry on his intentions, the Gangam Calligraphy Academic Foundation connects tradition and modernity, and his son Song Ha-jin has taken up the brush again to unfold his own world of calligraphy.This resembles the natural principle of a tree becoming a forest, nurturing new life. The greatest gift that the One Word Calligraphy Exhibition may leave us is perhaps not the dazzling brushwork but the preciousness of words we have forgotten.By writing flowers, we love nature; by writing hearts, we understand humanity; and by writing love, we dream of the future of culture. This is the world where humanity, culture, and nature are interconnected.If a small stroke at the tip of the brush can move a persons heart, and that heart can be conveyed to another, making the world a little warmer, then art has already fulfilled its mission.Though Gangams brush has stopped, the fragrance of his calligraphy lives on through the fingertips of people.In each stroke lies a life, and in each word lies the universe.And passing that universe on to the next generation is the power of culture.* This article has been translated by AI. October 25, 2026 07
  • The Legacy of Kangam Song Seong-yong: A Journey Through Korean Calligraphy
    The Legacy of Kangam Song Seong-yong: A Journey Through Korean Calligraphy As autumn deepens in October, a special calligraphy exhibition titled One Word Calligraphy Exhibition is set to open in Insadong, Seoul. Words like flower, heart, love, and sinabro—terms we use daily yet often overlook—are given new life through the brushstrokes of artists. This exhibition is not about lengthy poems or grand sentences; it focuses on a single word. Yet, within that word lies a persons life, a nations culture, and sometimes even the mysteries of the universe.The exhibition, organized by the Kangam Calligraphy Academic Foundation, will run from October 28 to November 3 at the Korean Art Museum in Insadong, followed by a display at the Jeonju Jeollabuk-do Arts Center from November 6 to 12. Among the 117 works contributed by calligraphers nationwide, 85 are in Hangul and 32 in Hanja. This exhibition serves as a platform for discovering the beauty of language and demonstrates how the tradition of Korean calligraphy continues to thrive in contemporary culture.One name that comes to mind in connection with this exhibition is that of Kangam Song Seong-yong (1913-1999). He was not only a calligrapher but also a spiritual leader whose essence has been passed down to his students, who have cultivated their own artistic worlds across the country. His son, Song Ha-jin, a former governor of Jeollabuk-do, has returned to the brush after his public service, exploring new avenues in Hangul calligraphy.Kangam Song Seong-yong: Elevating Human Dignity Through BrushworkKangam was born in 1913 in Gimje, Jeollabuk-do. His father, Song Gi-myeon, was a Confucian scholar from Honam. For Kangam, calligraphy was not merely a technical skill; it was a spiritual practice that revealed how individuals cultivate themselves and engage with the world.The most challenging aspect of calligraphy may not be mastering the brush but rather mastering ones own mind before moving the brush. The act of grinding ink, calming ones breath, and clearing the mind before making the first stroke is a form of self-reflection for the calligrapher.The brush reveals the truth; impatience can lead to shaky lines, excessive pressure can harden strokes, and too little force can cause loss of balance. Finding equilibrium between strength and softness, movement and stillness, fullness and emptiness is essential.The name Kangam poses a question: What is true strength? Is it the power to dominate others, or is it the restraint and principles that protect oneself? We believe it is the latter. Interpreting Kangams calligraphic spirit in contemporary terms suggests a harmony between a steadfast spirit and flexible expression. Principles should be firm, yet expression must be free; tradition should be respected, but innovation should not be feared.Calligraphy is an art of lines, but it also questions human dignity. The beauty of calligraphy is not merely in its appearance; it is the culmination of years of training and reflection that moves the viewers heart.The value of Kangams legacy cannot be measured solely by the number of works or fame. He prompts us to consider what humans learn throughout their lives and how they refine themselves through calligraphy.Students of a Great Master: Beyond the Teachers Calligraphy to Their Own WorldsThe greatness of a master is not solely in the number of students they produce but in how those students grow into independent artists.Those who inherit Kangams calligraphic spirit are actively continuing the tradition of Korean calligraphy through their works, education, and exhibitions across the country, particularly through the Kangam Calligraphy Association, which has been active since 1968. This group consists of Kangams students who exchange ideas and uphold the tradition and creative spirit of calligraphy.Among them, Kangams second son, Song Ha-kyung, served as the dean of the Confucian Studies College at Sungkyunkwan University and has been the organizing chair for the Jeonbuk International Calligraphy Biennale from its first to third editions. He has contributed to expanding the academic foundation of calligraphy and nurturing future generations, emphasizing the importance of developing calligraphy as a field of study in universities rather than merely a technical skill.Other calligraphers, such as Park Won-kyu, Lee Yong, Yoon Jeom-yong, and Kim Byeong-gi, have also developed their artistic worlds based on Kangams teachings. While their styles differ, they all seek new expressions while deeply understanding tradition.This exhibition features not only Kangams students and successors but also a wide range of prominent artists in the Korean calligraphy scene, including 94-year-old Jo Jong-suk, president of the International Calligraphy Association Jeong Do-jun, and others who have made significant contributions to the field.The diversity of artists from different generations, regions, styles, and areas of activity is a key feature of this exhibition. The Kangam Calligraphy Academic Foundation has selected artists broadly, ensuring that this exhibition is not just a platform for Kangams students but a stage for the entire Korean calligraphy community to share their artistic worlds.However, it is essential to clarify that merely replicating a masters calligraphy does not constitute true inheritance. Art evolves when the spirit left by the master is expressed anew through the artists own era and sensibilities.Some calligraphers delve deeply into the solemn brushwork of traditional Hanja calligraphy, while others develop the form of Hangul, and still others reinterpret the structure and whitespace of characters with a modern sensibility. Despite their different paths, they share a common spirit of respecting the brush and refining themselves through writing.The One Word Calligraphy Exhibition serves as a platform for this originality. Artists must showcase their artistic worlds through a single word, rather than relying on lengthy sentences or famous verses. While the meaning of the word may be the same, the speed and thickness of the strokes, the inks depth, and the whitespace differ from artist to artist.One artist may depict flower as a symbol of vibrant life, while another may express the loneliness of falling petals. The word heart can evoke calmness for one artist and passion for another.This is the creativity of calligraphy. While tradition teaches form, art allows one to discover their voice within that form.The works of Kangams students and successors blooming across the country resemble a large tree giving rise to a new forest. They do not remain in the shadow of their master but draw vitality from those roots to grow toward their own skies.Kangam Calligraphy Foundation: Transforming a Personal Legacy into Cultural HeritageThe Kangam Calligraphy Academic Foundation plays a crucial role in preserving Kangams spirit to this day. Established in 1993, the foundation celebrated its 30th anniversary in 2023. It has worked to promote calligraphy culture, inspire creativity among calligraphers, and nurture future generations.Kangam dedicated his resources during his lifetime to establishing a calligraphy museum and foundation. He aimed not only to preserve his works but also to create a foundation for future generations to learn, exchange, and create. The Kangam Calligraphy Association, the Kangam Calligraphy Museum opened in 1995, and the Kangam Calligraphy Academic Foundation have become cultural foundations connecting people, works, education, and support.The Jeonju Kangam Calligraphy Museum serves as a cultural space where Kangams spirit resides. It preserves and exhibits not only Kangams works but also valuable materials from the history of Korean calligraphy, passing them on to future generations. The Kangam Calligraphy Competition also serves as a pathway to discover new calligraphy talents and encourage creative activities.The foundations role should not be limited to merely commemorating an artist. It must continually question how cultural heritage can hold meaning for todays citizens and future generations while preserving it.Song Hyun-sook, the foundations director and Kangams daughter, is dedicated to expanding the foundations operations to create an environment where various artists in the calligraphy community can collaborate while carrying on the legacy of their predecessors.Her initiative is noteworthy in that it seeks to bridge the gap between calligraphy and the public by focusing on everyday words rather than lengthy classical texts or familiar calligraphic forms.The concept of one word is simple yet profound. Its brevity demands deeper reflection. A single stroke or character can change the entire atmosphere of a work. Even the whitespace becomes an expression of the artist.The foundations future tasks are clear: systematically research and preserve Kangams works and records, connect the artistic achievements of students and successors, teach calligraphy to youth, and promote the beauty of Hangul calligraphy to the world.Cultural heritage is more important to share than to possess. Preservation alone keeps us in the past, but education and creation lead us to the future.From Politics to Calligraphy: The New Life of Song Ha-jinWhen discussing Kangams artistic legacy, one cannot overlook his fourth son, Song Ha-jin, the former governor of Jeollabuk-do.Song Ha-jin led local administration for 16 years, serving as mayor of Jeonju for eight years and governor for another eight. However, alongside his public service, he has roots as the son of a calligrapher.Growing up watching his father wield the brush and listening to stories about calligraphy, Song Ha-jin describes this experience as mokyu-iyeom (目濡耳染), meaning he absorbed it naturally over time. Calligraphy was not a sudden hobby for him but a culture that permeated his life from an early age.After stepping down from public office, he is now channeling that long-standing interest into serious artistic endeavors. In 2023, he was elected as the organizing chair for the Jeonbuk International Calligraphy Biennale, taking on a role to promote international calligraphy exchange and the development of calligraphy culture in Jeollabuk-do.In September 2024, he will hold his first solo exhibition after retirement, titled Writing Without Hesitation—Song Ha-jin. The title itself reflects his calligraphic philosophy, advocating for a calligraphy that respects tradition while transcending overly formal conventions to align with modern sensibilities.His concerns can be summarized in three main points: First, Hangul must confidently occupy the center of Korean calligraphy. Second, horizontal writing that aligns with modern reading habits should be actively developed. Third, calligraphy should evolve as an art form that embodies the individuality and creativity of the artist, rather than being constrained by past formal conventions.This is not a rejection of traditional Hanja calligraphy. Instead, it is a proposal to respect the long-standing aesthetic achievements of Hanja while expanding the expressive potential of Hangul, the central script of contemporary Korean life and language.In October 2025, he held an exhibition titled K-Calligraphy Capturing the Beauty of Hangul at the Park Yeon Cultural Center in Sejong Government Complex, showcasing over 60 Hangul calligraphy works. This continued the dialogue he initiated in his first exhibition in 2024.These assertions represent a significant discourse surrounding the future of Korean calligraphy. How can we harmonize the depth of traditional brushwork with modern horizontal writing and free-form expression? What is needed for calligraphy to develop as an independent art form while remaining connected to the culture of written language in daily life? Song Ha-jins work raises these questions.Of course, Song Ha-jins works should be evaluated based on their artistic merit, independent of his public service career or his fathers reputation. Nevertheless, it is noteworthy that he has embraced Hangul calligraphy as his new realm of activity after leaving public office.Rather than merely imitating his fathers brushwork, he is creating new pieces through his own experiences and sensibilities. Inheriting Kangams legacy ultimately gains meaning through this independent creation.Song Ha-jins ongoing interest in the activities of the Kangam Calligraphy Academic Foundation and the development of calligraphy culture can also be seen as a reflection of his appreciation for his fathers spiritual legacy. However, the true value of that affection lies not only in preserving the family name but also in broadening the creative environment for calligraphers and creating opportunities for the next generation to take up the brush.While the father lived his era through calligraphy, the son walked the path of administration before returning to the world of calligraphy. Their lives are different, yet the cultural connection through brush and ink runs deep.Life may have retirement, but the growth of the spirit knows no retirement. Discovering a new self in another world after completing a role in one field is also a beautiful aspect of life.Flowers Represent Nature, Hearts Represent Humanity, and Calligraphy Represents CultureConsider the word flower among the words featured in this exhibition. A flower is not merely a part of a plant. It is the result of roots that have endured winter, the time spent waiting for spring, and the life created by sunlight, wind, and water.If a calligrapher writes the character for flower, they are not just reproducing a single character. They can encapsulate their experiences of spring and autumn, encounters and farewells, and the beauty and transience of life.What about heart? Humans do not fully understand their own hearts. They experience joy and sorrow, love and hate, certainty and doubt. Expressing that invisible world through brush movements transforms the human inner self into visual art.The word love embodies the relationships between humans. Loving family and neighbors, as well as nature and culture, ultimately means not placing oneself at the center.And sinabro signifies gradual change that occurs unnoticed. The growth of trees, the maturation of people, and the accumulation of culture all represent sinabro. The transmission of Kangams spirit to his students and successors, along with Song Ha-jins return to the brush, can also be interpreted as a cultural inheritance developed over time.I view humanity, culture, and nature as an inseparable world. Humans are born from nature and create culture, which embodies the wisdom of living alongside nature.Calligraphy is the art where these three worlds converge. The brush, ink, and paper made from materials derived from nature carry the human spirit, and those traces become culture.The whitespace in calligraphy is also significant. The space without characters is not an empty void. It is the breath between lines, a place that connects the visible and the invisible.Our society fills spaces with too much. Buildings, roads, advertisements, images, information, and noise fill our daily lives. Yet, the time to think and the space to reflect are diminishing.Calligraphy asks us: What truly matters is not how much we fill but what we leave behind and what we leave empty.In the Age of AI, What Should Humanitys Brush Preserve?Now, artificial intelligence can write, draw, and compose music. By inputting a single word into a computer, countless fonts and images can be generated in an instant.Does this mean that the act of holding a brush becomes unnecessary?We should instead focus on the opposite possibility. As technology advances, we must delve deeper into the meaning of human actions.AI can learn and imitate the visual characteristics of calligraphy. However, it cannot replicate the life experiences and years of training that a person accumulates while holding a brush.Each brushstroke carries the breath of the day, the state of the body, and the memories of a lifetime. The ink that settles on paper cannot be easily undone. This irreversibility demands responsibility and concentration from the artist.What humanity must preserve in the age of AI is not merely manual skill. It is the values that determine what to express, the reflections on why a particular word was chosen, and the responsibility for how to relate to others through the work.The spirit of calligraphy extends into the ethics of language. We exchange countless words daily, but how many of those words do we take responsibility for? Do we speak of love while ignoring our neighbors, advocate for justice while condoning injustice, and champion freedom while infringing on the dignity of others?Just as it is important to draw a precise stroke, it is equally important to treat each person with respect. We must consider the balance of our writing as we think about the balance in society and leave space for the freedom of others, just as we do with whitespace on paper.Life, Work, and Dreams: The Cosmic Spirit Encapsulated in One WordI often think of human life in terms of three words: food, work, and dreams. Food represents survival, work signifies responsibility to the world, and dreams are the force that leads humanity beyond current limitations.If there is only food without dreams, life becomes barren. If there are dreams without work, changing reality becomes difficult. If there is only work without love for humanity, achievements may remain, but the fragrance of life fades.What would it look like if we wrote those three words with a brush? Food would evoke the hands of farmers tilling the land and family gatherings at the table. Work would embody the sweat of those quietly holding their positions. Dreams would carry the hopes of humanity toward an unseen future.The lives of Kangam, his students who carry on his spirit, and Song Ha-jin, who is unfolding a new artistic world after leaving public office, ultimately converge on the question of how to fulfill the lives given to them.In this process, there is a word we must not forget: truth, justice, and freedom. Truth warns us against falsehood, justice compels us to consider the dignity of the weak, and freedom protects the right of individuals to think and choose for themselves.If these words are not practiced in life, no matter how beautifully they are written, they remain mere decoration. What calligraphy teaches us is not just the form of beautiful writing but the attitude of living in accordance with the words we write.As autumn deepens and trees shed their leaves, nature prepares for the next spring while wrapping up the years time. People, too, must sometimes reduce their words and gather their hearts. Stepping away from the noise and information for a moment to gaze at a single word on paper can change our inner selves.The spirit left by Kangam Song Seong-yong has not ended as a legacy of one era. His students and successors across the country continue to carry on that spirit, the Kangam Calligraphy Academic Foundation connects tradition and modernity, and his son Song Ha-jin has taken up the brush again to unfold his own world of calligraphy.This resembles the natural principle of a single tree becoming a forest, which in turn nurtures new life.The greatest gift that the One Word Calligraphy Exhibition may leave us is perhaps not the elaborate brushwork but the preciousness of words we have forgotten.Writing about flowers fosters a love for nature, writing about hearts fosters an understanding of humanity, and writing about love dreams of the future of culture. This is the world where humanity, culture, and nature are interconnected.If a single stroke of the brush can move a persons heart, and that heart can be conveyed to another, making the world a little warmer, then art has already fulfilled its mission.Though Kangams brush has stopped, the fragrance of his ink is revived at the fingertips of people.In a single stroke lies a life, and in a single word lies the universe.And passing that universe on to the next generation is the power of culture. October 25, 2026 07
  • Poll Shows JD Vance and Marco Rubio Leading GOP Candidates for 2026 Election
    Poll Shows JD Vance and Marco Rubio Leading GOP Candidates for 2026 Election A recent poll conducted by The New York Times shows Vice President JD Vance and Secretary of State Marco Rubio leading the Republican candidates for the upcoming presidential election. Among Democrats, former Vice President Kamala Harris and California Governor Gavin Newsom are in the lead, but nearly half of respondents expressed uncertainty about their choice.According to the poll published on October 24, which surveyed 3,494 registered voters, 850 identified as Republican primary voters. JD Vance received 33% support, while Marco Rubio garnered 23%. Despite the constitutional limit on serving more than two terms, 8% of respondents indicated support for President Donald Trump. Additionally, 26% of voters were unsure.The newspaper noted that while many Republicans appear eager to move away from President Trumps policies, they remain more united than Democrats. It also highlighted that older Republicans tend to adhere more closely to Trumps approach compared to younger party members.In a separate survey of 1,170 self-identified Democratic primary voters, Kamala Harris led with 12%, followed by Newsom at 9%, former Transportation Secretary Pete Buttigieg at 7%, and Congresswoman Alexandria Ocasio-Cortez at 6%. However, a significant 45% of respondents were unsure.Kamala Harris, the leading Democratic candidate, has resumed her national tour this week as the midterm elections approach. According to Reuters, she is campaigning in Georgia, Mississippi, Nevada, New Hampshire, and Wisconsin to rally support for the Democratic Party. During a rally in Las Vegas on October 21, Harris criticized President Trump while sharing her journey as the first female Vice President of mixed Black and Asian descent, and she urged support for Aaron Ford, a candidate for Attorney General who could become the first Black governor of Mississippi if elected.Jennifer Siebel Newsom, the wife of Governor Gavin Newsom, voiced her criticisms in an exclusive interview with the Sunday Times of London. She stated, Our countrys leadership is embarrassing, pointing to issues of money, greed, and power. A former Hollywood actress turned documentary filmmaker, Siebel Newsom recently held a screening in New York focusing on womens representation. The documentary features prominent Democratic women leaders, including former Secretary of State Hillary Clinton and former House Speaker Nancy Pelosi, and addresses online misogyny and backlash against feminism.* This article has been translated by AI. October 25, 2026 05
  • Why Japanese Steel Companies Are Investing in India
    Why Japanese Steel Companies Are Investing in India Steel mills cannot relocate like a shop that closes due to poor business. Once a company invests heavily in a location, it must produce and sell steel there for a long time. Therefore, examining where steel companies invest can provide insights into which countries they expect to profit from in the future.Recently, Japanese steel companies have been expanding their production facilities in India, with JFE Steel and Nippon Steel leading the way. These two companies are distinct entities, partnering with different firms in India. JFE is collaborating with Indian steelmaker JSW Steel, while Nippon Steel is working with Dutch steel giant ArcelorMittal.On October 23, JFE Steel announced plans to double the annual crude steel production capacity at the Sambalpur steel mill in Odisha, India, from 4.5 million tons to 9.5 million tons. Crude steel is the intermediate product before processing into steel products. The company plans to implement new blast furnaces and rolling equipment by 2030.The rationale behind this investment lies in demand forecasts. The World Steel Association recently projected a steel demand growth rate of 0.9% for Japan and 7.9% for India this year. For next year, the forecasts are 1.7% for Japan and 8.0% for India. While Japan is expected to recover, the pace is markedly different from that of India. For steel-selling companies, it makes sense to invest more resources in a rapidly growing market.Indias growth rate is not the only noteworthy aspect. The projected steel demand in India for this year is 172.4 million tons, expected to rise to 186.2 million tons next year, indicating an annual increase of 13.8 million tons. Although these figures are projections rather than actual results, they illustrate the backdrop for steel companies expanding their operations in India.Building homes requires rebar, and laying railroads necessitates rails. Steel plates are also used in automobiles and refrigerators. The World Steel Association cites infrastructure construction, private real estate, and manufacturing growth as key drivers of demand in India. This indicates that steel is sought after in both construction sites and factories, differing from investments focused solely on one booming sector.While increasing local production facilities entails significant burdens, shipping steel from Japan is another option. Establishing a factory is just the beginning; securing raw materials, power, labor, and transportation networks is essential for stable operations. Increasing local production despite these challenges can be seen as a strategy to respond closely to Indian customers orders and establish a long-term market presence.The name JFE has given to its Indian operations reflects this intention. The company positions the Sambalpur steel mill as its third integrated steel mill following its facilities in eastern and western Japan. This signifies a commitment to making it a major production hub rather than merely securing another overseas investment.An integrated steel mill encompasses the entire process from extracting molten iron from iron ore to reducing impurities and producing steel, followed by rolling it into sheets. This type of mill has a broader production scope than facilities that merely cut or surface-process steel products. JFE announced its joint venture plans last December, proposing an investment of 157.5 billion rupees (approximately 270 billion yen). The joint venture, in which JFE and JSW each hold a 50% stake, was finalized in March of this year.Competitor Nippon Steel has also been investing in India through its partnership with ArcelorMittal, operating AM/NS India. This venture aims to increase the annual crude steel production capacity at the Hazira steel mill from approximately 9 million tons to 15 million tons. Nippon Steels investment plan for related production facilities, announced in 2022, was around 410 billion rupees (approximately 730 billion yen).AM/NS India is also pursuing the acquisition of port and power-related facilities alongside its expansion. Steel mills require ports for importing raw materials and exporting products. If electricity supply is unstable, production can be disrupted. Establishing infrastructure outside the factory is as crucial as investing in blast furnaces and rolling equipment. Directly producing steel overseas entails numerous responsibilities.POSCO is also expanding its production base in India. The company already operates a cold-rolled and galvanized plant in Maharashtra with an annual capacity of 1.8 million tons, processing steel products for use in automobiles and other applications. It also has steel processing plants in Delhi and Chennai.In April of this year, POSCO signed a joint investment agreement with JSW Steel in India, each holding a 50% stake. This venture aims to construct an integrated steel mill in Odisha with an annual crude steel production capacity of 6 million tons. While the existing cold-rolled and galvanized plant processes steel products, the new steel mill will include the entire process from extracting molten iron from iron ore. The existing plant is operational, while the new integrated steel mill is still in the construction phase.Both POSCO and JFE Steel have partnered with JSW Steel in India, while Nippon Steels partner is ArcelorMittal. As South Korean and Japanese companies secure production bases in India, Indian firms are also leveraging their technology and capital to expand their operations. It remains to be seen how the investments of South Korean and Japanese steel companies will impact the competitiveness of Indian firms.However, merely projecting increased demand does not guarantee investment success. JFEs new facility is targeted to commence operations by 2030. After completing construction and stabilizing production, the company must sell the increased output. As multiple companies expand production capacity, competition for securing customers may intensify. There is often a significant time gap between projected demand growth rates and the actual profits companies realize.Steel mills cannot be built hastily after orders come in. Securing land and establishing facilities takes considerable time. If companies wait to confirm rising demand before acting, other firms may have already captured customers. This context explains why Japanese steel companies are investing in India now, as they prepare to establish production bases for future steel sales.Of course, not all companies investing in the growing Indian market will profit. Local steelmakers are also increasing their production capacities. Market conditions may change during the construction of new plants, and if supply outpaces demand, price competition could become fierce. Japanese companies must secure not only factory sites but also a steady customer base for the steel produced there.POSCO faces similar competitive challenges. Steel companies that have competed in South Korea and Japan are now expanding their production bases in India in partnership with local firms. Simply entering the Indian market does not guarantee an advantage. They must meet the quality demands of automotive companies, deliver products on time, and generate profits in the process. Establishing a factory overseas and growing a business there are two distinct endeavors.The trend of Japanese steel companies moving to India is also relevant for South Korea. As Japanese firms increase their customer base locally, it will impact the volume available for South Korean companies. This is why the South Korean steel industry must closely monitor the scale of Japanese investments and their joint venture partners. The plants Japanese steel companies are building in India will serve as a foundation for steel sales for decades to come. POSCO must not only welcome the growth of the Indian market but also proactively respond to the movements of Japanese steel companies to remain competitive.* This article has been translated by AI. October 25, 2026 00
  • Kim Jong Un Visits Dandong with Key Officials to Strengthen North Korea-China Relations
    Kim Jong Un Visits Dandong with Key Officials to Strengthen North Korea-China Relations Kim Jong Uns visit to Dandong, China, included a significant delegation of key North Korean officials, such as Jo Yong-won, Choe Son-hui, Kim Song-nam, Kim Duck-hun, and Kim Yo-jong. The presence of leaders responsible for party organization, foreign diplomacy, and economic policy suggests that this visit aimed to strengthen political ties and explore opportunities for economic cooperation between North Korea and China.According to Chinas state-run Xinhua News Agency, Kim met with Wang Huning, chairman of the Chinese Peoples Political Consultative Conference, and visited the new Yalu River Bridge and a local automobile factory. Kims delegation returned to North Korea on the same day.Jo Yong-won, a prominent figure in the North Korean delegation, serves as the secretary of the Workers Party and a member of the Politburo Standing Committee, as well as the chairman of the Standing Committee of the Supreme Peoples Assembly. He plays a crucial role in overseeing party personnel and organizational operations, supporting internal control and policy implementation under Kim Jong Uns regime.Choe Son-hui, the foreign minister, oversees North Koreas diplomatic policies. As a member of the Politburo and the State Affairs Commission, he has dealt with key diplomatic issues, including relations with the United States. His participation raises interest in potential discussions regarding North Korea-China relations and the situation on the Korean Peninsula.Kim Song-nam, head of the International Department of the Workers Party, is also a member of the Politburo and the State Affairs Commission. He is responsible for managing the party-to-party relationship between the Chinese Communist Party and the Workers Party of Korea, which could facilitate enhanced communication and future exchanges between the two parties.Kim Duck-hun, the first deputy prime minister and a Politburo member, is a senior official in the economic sector who previously served as the prime minister. He is well-positioned to discuss economic cooperation issues, including trade, logistics, and tourism with China. The visits to the Yalu River Bridge and the automobile factory underscore the potential for expanding economic collaboration.Kim Yo-jong, the director of the General Affairs Department of the Workers Party and an alternate member of the Politburo, is a close aide to Kim Jong Un, managing his external schedule and messaging. Her presence highlights the importance of this visit in terms of diplomatic outreach.On the Chinese side, key figures accompanied Wang Huning, including Wang Yi, a member of the Politburo and foreign minister, who oversees Chinas diplomatic policies; Liu Haixing, head of the International Liaison Department of the Chinese Communist Party, responsible for exchanges with foreign parties; Ma Zhaoxu, deputy foreign minister handling diplomatic affairs; and Wang Yajun, the Chinese ambassador to North Korea, managing diplomatic channels in Pyongyang. Their participation signifies a coordinated effort in party-to-party diplomacy and government-level engagement, indicating that this visit was more than a mere display of friendship, addressing both political trust and economic cooperation.* This article has been translated by AI. October 24, 2026 22
  • Kim Jong Un Visits China, Meets Wang Huning Instead of Premier
    Kim Jong Un Visits China, Meets Wang Huning Instead of Premier Kim Jong Un Visits Dandong, Meets Wang Huning Instead of Chinese PremierKim Jong Un, the Chairman of North Koreas State Affairs Commission, visited Dandong, Liaoning Province, China, on October 24, where he commemorated Chinese soldiers who fought in the Korean War alongside Wang Huning, a senior member of the Chinese Communist Party and Chairman of the Chinese Peoples Political Consultative Conference. They also toured an automobile factory.According to Chinas Xinhua News Agency, Wang welcomed Kim at the Anti-American Aid Korea Memorial Hall in Dandong and participated in a flower-laying ceremony. The term Anti-American Aid refers to Chinas involvement in the Korean War. During the ceremony, the national anthems of both China and North Korea were played, and Kim observed a moment of silence to honor the fallen soldiers of the Chinese Peoples Volunteer Army. He also visited the memorial hall to examine artifacts and documents showcasing the battles fought by Chinese troops and the joint operations between North Korea and China. Additionally, he presented a historical photograph with a handwritten inscription to the memorial. The ribbon on the flower basket bore the inscription in Korean: Let us forever remember the martyrs of the Chinese Peoples Volunteer Army.Kim requested Wang to convey his regards and best wishes to Chinese President Xi Jinping and expressed hopes for the successful convening of the 5th Plenary Session of the 20th Central Committee of the Communist Party of China. He stated, I visited Dandong to express deep gratitude and eternal respect for the Chinese soldiers who sacrificed their lives and blood to support North Korea during a crucial historical period. Kim also described Xis visit to North Korea in June as a historic event that demonstrated Chinas high interest in North Korea and marked a milestone in the development of bilateral relations.He noted that this year marks the 65th anniversary of the signing of the North Korea-China Friendship Cooperation and Mutual Assistance Treaty, expressing gratitude for Chinas long-standing support for North Koreas socialist construction and emphasizing the bright prospects for cooperation between the two countries. He added, I hope to inherit our historical friendship with China and expand practical cooperation to enhance the welfare of our peoples.Kim Min-seok: Impeachment of Chief Justice Cho and Investigation Proceeding as PlannedKim Min-seok, the leader of the Democratic Party, stated that the procedures related to the impeachment of Chief Justice Cho Hee-dae, including a national investigation, will proceed as scheduled.According to Yonhap News Agency, Kim made this statement after attending a sports event for photojournalists at the National Assembly on October 24. He responded to questions from reporters regarding the calls for Chos impeachment following the acquittal of Seoul Mayor Oh Se-hoon on charges of violating political funding laws, saying, We will proceed step by step as originally planned, including a national investigation.Regarding the timeline for the national investigation, he explained, I understand that various matters are being coordinated within the party.He refrained from further comments on Ohs acquittal, stating, I think my previous remarks suffice. Earlier, Kim criticized the ruling as difficult to understand and accept both legally and logically immediately after Ohs acquittal.Iranian Military Warns: No Entry for US Warships into the Persian Gulf Amid indications from President Donald Trump about the possibility of renewed attacks on Iran following the midterm elections, the Iranian military has warned that it will not allow US warships to enter the Persian Gulf.On October 24, Iranian state media reported that General Ali Abdollahi, the Chief of Staff of the Iranian Armed Forces, stated, Under no circumstances and at no time will we allow US warships to enter the Persian Gulf.He added, The US president may be dreaming of sending troops into the Persian Gulf, but that dream will be taken to the grave.General Abdollahi also refuted Trumps claims about the destruction of Irans nuclear facilities, questioning, If the president has destroyed everything, why does he keep repeating that Iran should not possess nuclear weapons?He emphasized, The longer the conflict lasts, the deeper we will plunge our enemies into a quagmire of death and decline.Oh Se-hoon Emphasizes Unity in People Power Party Ahead of General ElectionsThe day after being acquitted of charges related to political funding violations, Seoul Mayor Oh Se-hoon stressed the importance of unity and integration within the People Power Party as the general elections approach.According to Yonhap News Agency, Oh made these remarks during the 2026 Family Sports Day event for photojournalists held at the National Assembly on October 24. When asked about his future role within the party, he stated, With the general elections approaching, the People Power Party should present a united front rather than a divided one to provide comfort to the public.He added, The current Lee Jae-myung administration is causing significant concern among the public, particularly regarding real estate issues, and the People Power Party must become a party that presents alternatives with a united strength.Oh also expressed his commitment to making every effort to unite those with differing views and philosophies.Prime Minister Han Seung-soo: We Must Clarify the Truth Behind the Itaewon TragedyPrime Minister Han Seung-soo apologized once again to the families of the victims of the Itaewon tragedy ahead of the fourth anniversary of the incident, promising thorough investigations and accountability at the national level.According to Newsis and Yonhap News Agency, Han made this statement on October 24 during a memorial event for the fourth anniversary of the Itaewon tragedy held at Seoul City Hall. He said, On behalf of the government, I deeply apologize once again to the families of the victims and those affected.Han emphasized that the nations commemoration must involve uncovering the truth and reforming systems to prevent similar tragedies in the future, stating, We will ensure that the truth is clearly revealed. He also pledged to provide necessary support and cooperation to ensure thorough investigations by the police and the special investigative committee.He acknowledged that the governments response and accountability have not met the expectations of the victims families. Han noted that a joint government audit last year revealed systemic failures in the response framework and inadequate disciplinary actions against responsible parties, admitting that the government has not sufficiently addressed the urgent calls for truth and accountability from the victims families.He concluded, The tragedy is not over yet. We still have work to do to fully uncover the truth and fulfill our remaining responsibilities.* This article has been translated by AI. October 24, 2026 21
  • Cultural Diversity Festival MAMF 2026 Kicks Off in Changwon
    Cultural Diversity Festival 'MAMF 2026' Kicks Off in Changwon On October 23, the cultural diversity festival MAMF 2026 officially opened in Changwon, South Korea, showcasing the traditions of 22 countries.This year marks the 21st edition of MAMF, themed Twenty-One, One World, running until October 25 at Yongji Cultural Park, Seongsan Art Hall, and Central Avenue. Attendees can enjoy a variety of programs, including traditional performances, food, crafts, and cultural experiences throughout the city.According to Changwon City, the opening ceremony held at 6:30 PM on October 23 at the main stage of Yongji Cultural Park was attended by Changwon Mayor Kang Ki-yoon, Gyeongnam Province Deputy Governor Park Il-woong, Changwon City Council Chairperson Lee Hae-ryeon, and Ali Sher Abdusalomov, the Uzbek Ambassador to South Korea, along with various diplomatic representatives and local residents.The ceremony began with a performance by the Everyone choir, followed by the opening declaration, welcome speeches, congratulatory remarks, and a festive performance. Key attendees shared the festivals significance of celebrating a one world where diverse cultures come together.Following the opening, the National Arts Ensemble of Uzbekistan, this years guest country, and invited cultural performance groups showcased traditional cultural presentations. The band N.Flying also performed, adding to the festivities on the first day.The festival features participation from 22 countries and 10 embassies in South Korea. Each countrys expatriate community has planned and organized performances and cultural experience programs, creating opportunities for migrants and citizens to engage with each others cultures.On the second day, October 24, a multicultural drawing competition for elementary, middle, and high school students took place at Yongji Cultural Park at 10 AM. At 2 PM, a special cultural performance featuring the National Arts Ensemble of Uzbekistan and the Korea National University of Arts was held at the Seongsan Art Hall.Yongji Cultural Park also hosted fringe and busking performances by local amateur artists, while at 7 PM, the Korea Migrant Song Contest showcased talents from the migrant community through song and dance.October 25 Cultural Diversity Parade... Global Food and Traditional Culture ExperiencesOn the final day, October 25, the Migrants Arirang event will take place from 11 AM to 3 PM at Yongji Cultural Park, Pojeongsa Park, Seongsan Art Hall, and Central Avenue, featuring cultural festivals where migrant communities introduce their cultures.From 4 PM to 5 PM, the main event of the festival, the Cultural Diversity Parade, will take place along Changwon Central Avenue and Yongji Cultural Park, showcasing cultural characteristics from various countries.At 6 PM, an awards ceremony for the drawing competition and parade will be held, followed by a closing performance at 7 PM featuring international musicians and artists at the main stage of Yongji Cultural Park.In addition to performances, the festival will offer ongoing programs where visitors can experience the daily cultures of various countries.A special cultural booth introducing Uzbekistans culture will be set up at Yongji Cultural Park. The World Travel from the City program will allow attendees to enjoy cultural experiences prepared by embassies and expatriate communities.Changwon Central Avenue will feature a Global Village Cultural Market and Global Street Food, where visitors can browse crafts and traditional products from different countries and taste various international cuisines. Cultural experiences and market activities will run from 10 AM to 6 PM.A space providing living information for migrants will also be available. The consultation and policy promotion booth will offer advice on employment, labor, finance, and educational support policies.During the festival, vehicle traffic will be restricted in the Changwon Central Avenue area. The section from KBS Intersection to the Health Insurance Corporation will be closed from 9 PM on October 22 until midnight on October 25, and the area from Gyeongnam Administrative Hall to KBS Intersection will be restricted from 8 AM on October 24 until midnight on October 25.Notably, on October 25, the day of the Cultural Diversity Parade, traffic will be restricted in both directions between the Gyeongnam Education Office and Choi Yun-deok Intersection from 8 AM to 7 PM.Mayor Kang Ki-yoon urged citizens to understand and cooperate with the traffic restrictions for a safe and enjoyable festival, expressing hope that the 21st MAMF would be a venue for mutual respect among cultures and harmony between migrants and citizens.Detailed event schedules and traffic information can be found on the Changwon City website and the official MAMF website.* This article has been translated by AI. October 24, 2026 21
  • Xi Jinping Sends Wang Huning to Meet Kim Jong Un in Dandong
    Xi Jinping Sends Wang Huning to Meet Kim Jong Un in Dandong Kim Jong Un, the Chairman of North Koreas State Affairs Commission, made a surprise visit to Dandong, Liaoning Province, on October 24. While it was expected that Li Qiang, the Premier of the State Council of China, would greet Kim, he was actually welcomed by Wang Huning, a member of the Standing Committee of the Political Bureau of the Communist Party of China and Chairman of the Chinese Peoples Political Consultative Conference. The decision by Chinese President Xi Jinping to send Wang to Dandong highlights the significance of this visit.It appears that Xi considered the agenda and diplomatic context of the visit before deciding not to attend personally. There has been speculation about a potential meeting between U.S. President Donald Trump and Kim at the upcoming Asia-Pacific Economic Cooperation (APEC) summit in November, but it remains uncertain whether this will lead to direct contact between the two leaders. If there were no significant agreements or breakthroughs anticipated regarding U.S.-North Korea negotiations, Xi likely saw little need to be directly involved.If Li Qiang had met with Kim in Dandong, the focus might have been on economic cooperation, such as the opening of the new Yalu River Bridge and the expansion of trade. As the second-highest-ranking official in the Communist Party, Li carries considerable political weight, but his role is primarily centered on government administration and economic policy.In contrast, Wang Huning is a figure with a strong political background. He has served in key positions within the Communist Party for over 30 years and is known as a theorist and political strategist. He has played a central role in shaping policies and ideologies under the leadership of Jiang Zemin, Hu Jintao, and Xi Jinping. Unlike Li, who oversees government administration, Wang emphasizes the political direction, ideology, and strategic significance of foreign relations. By utilizing Wang, China appears to be framing Kims visit not just as an economic cooperation event but as an opportunity to reaffirm the historical alliance and political trust between North Korea and China.During their meeting, Wang and Kim laid flowers at the Anti-American Aid Korea Memorial and visited the Anti-American Aid Korea Museum. This commemorative event, honoring Chinas participation in the Korean War, underscored the shared history and alliance between the two nations. Kim expressed gratitude to the Chinese Peoples Volunteer Army soldiers and highlighted that this year marks the 65th anniversary of the North Korea-China Friendship and Mutual Assistance Treaty.The economic cooperation message was also prominent. Wang accompanied Kim on a tour of an automobile factory in Dandong and bid farewell to him at the new Yalu River Bridge. Wang stated that the opening of the bridge would facilitate increased human exchanges and economic and trade cooperation. This indicates a dual focus on emphasizing political solidarity while also seeking to expand practical economic collaboration.Notably, during their discussions, Wang remarked, The two countries should strengthen strategic communication and cooperation to create a peaceful and stable external environment that safeguards our sovereignty, security, and development interests. This statement goes beyond mere trade expansion, suggesting a political message aimed at enhancing communication and cooperation regarding diplomatic and security environments.This visit did not result in a direct meeting between Xi and Kim to announce new strategic agreements. However, it was not merely a technical visit focused on economic cooperation either. Through Wang Huning, the historical continuity of the North Korea-China alliance was emphasized, alongside a focus on economic cooperation and strategic communication. The strategic closeness between North Korea and China continues to strengthen.* This article has been translated by AI. October 24, 2026 21
  • Autumn Deepens Despite Rain as Gangjin Reed Festival Opens
    Autumn Deepens Despite Rain as Gangjin Reed Festival Opens Golden reeds sway in the rain at Gangjin Bay. Tourists, holding umbrellas, strolled through the rain-soaked reed fields, enjoying the deepening autumn in the southern region of Korea.The 11th Gangjin Reed Festival, a major autumn event in Gangjin County, Jeollanam-do, opened on the 24th at Gangjin Bay Ecological Park.Despite the rainy weather caused by a typhoon on the opening day, visitors arrived prepared with umbrellas and raincoats to explore the reed fields.The sight of tourists walking along the wet wooden decks, combined with the swaying reeds in the wind, created a unique autumn landscape characteristic of Gangjin Bay.The expansive reed clusters and the winding trails captivated the attention of visitors. The calm waters beyond the reed fields and the mist-covered mountains added a different charm compared to clear days.A large swan sculpture set against the backdrop of Gangjin Bay also provided an unusual attraction. The scene of two white swans facing each other amidst the autumn-colored reeds drew many visitors for photos.Tourists took leisurely moments along the trails, capturing commemorative photos among the reeds or chatting with companions. Some visitors donned matching blue raincoats, creating special autumn memories in the rain.Gangjin Bay Ecological Park is an ecological tourism space that combines vast reed fields, wetlands, and walking trails. It has become a popular destination for autumn outings, allowing visitors to closely observe the changing wetland scenery.Now in its 11th year, the Gangjin Reed Festival aims to promote the ecological value and natural beauty of Gangjin Bay while providing tourists with an opportunity to experience autumn in the southern region.The scenes from the festivals opening day demonstrated that rain does not necessarily hinder outings. While reeds glisten under the sun are beautiful, the tranquil, rain-soaked reed fields offer a different allure unique to Gangjin Bay.Meanwhile, the trails at Gangjin Bay Ecological Park are designed for close observation of the wetlands and reed clusters. Visitors to Gangjin Bay are advised to check weather conditions and local guidance, and to be cautious of slippery deck paths during rain.* This article has been translated by AI. October 24, 2026 20
  • Lottery Winner Aims to Join Honor Society with Prize Money
    Lottery Winner Aims to Join Honor Society with Prize Money I have always been interested in becoming a member of the Honor Society, and I plan to do so with this opportunity.As interest grows in the Donghaeng Lotterys 1247th drawing on October 24, the story of a winner from the 205th Pension Lottery 720+ is gaining attention.In a post on the Donghaeng Lottery winners bulletin board, the winner of one first prize and four second prizes from the 205th Pension Lottery 720+ shared, Buying lottery tickets has made my week happy, and a portion of the proceeds helps those in need through the lottery fund, so I have been consistently purchasing tickets for a long time.The winner continued, When I buy a ticket, I look for numbers that are meaningful to me. Last week, at my favorite lottery retailer, I saw a pension lottery ticket with my favorite number, 77, displayed. I bought it immediately. Its not easy to find tickets ending in 77, so I usually buy tickets ending in 7, but it felt good to finally purchase one ending in 77 after a long time. On Thursday evening, right after the live drawing, I checked my ticket on my mobile phone and was amazed to find out I had won the first prize. I was worried I might have a heart attack from the shock, but it was more like, Oh, I won! rather than anything too shocking.He added, I believe this great fortune is a blessing for my consistent charitable activities and prayers. I plan to use the prize money for various social activities I have been involved in. I have always been interested in becoming a member of the Honor Society (for individuals who have donated over 100 million won), and I plan to pursue that opportunity now.When asked what types of lottery tickets he usually buys, the winner, who purchased his ticket at a retailer in Dobong-gu, Seoul, replied, I consistently buy lotto and pension lottery tickets.Regarding his plans for the prize money, he stated, I plan to save the funds through savings accounts to implement ideas I have been considering.Meanwhile, the winning numbers for the 1247th lottery drawing will be available after 8:35 PM today (October 24).* This article has been translated by AI. October 24, 2026 20
  • Former Interior Minister Choi Hyung-woo Passes Away, Political Tributes Pour In
    Former Interior Minister Choi Hyung-woo Passes Away, Political Tributes Pour In Choi Hyung-woo, a key political ally of former President Kim Young-sam and a prominent figure in the Sangdo-dong faction, passed away on October 24. His funeral home has seen a steady stream of condolences from politicians across the aisle, as his political journey, marked by a commitment to democracy during the harsh military regimes and his role in reform policies following the establishment of a civilian government, is being revisited.According to Yonhap News, Choi died at 3:30 a.m. at the Seoul National Veterans Hospital. He was 91 years old.Born in Ulsan in 1935, Choi entered politics as a student representative during the April 19 Revolution in 1960. He was elected to the National Assembly as a member of the New Democratic Party in 1971 and served six consecutive terms until the 15th National Assembly.Choi was subjected to torture for about three months after being taken by the National Security Command for criticizing the long-term rule of the Park Chung-hee regime. He faced further hardships after being detained shortly after the declaration of martial law by Chun Doo-hwans military government in 1980, which resulted in the loss of his parliamentary seat. He later became the secretary-general of the Democratic Movement Promotion Council in 1985, actively participating in the democracy movement.After the merger of three parties in 1990, Choi joined the Democratic Liberal Party, serving as the Minister of Interior under the Kim Young-sam administration after holding the position of Minister of Political Affairs and Secretary-General of the party. He was regarded as a key figure in the Sangdo-dong faction, often referred to as Left Dong-young, Right Hyung-woo alongside former Minister Kim Dong-young. Following his election in the 1996 general election, he was mentioned as a potential candidate for the next presidential election among the so-called Nine Dragons, but he suffered a stroke in 1997, leading to a prolonged battle with health issues.At the funeral home in Samsung Medical Center in Gangnam, Seoul, tributes from political figures continued to pour in. A wreath sent by President Lee Jae-myung was displayed alongside those from former National Assembly Speaker Jeong Ui-hwa, former Deputy Speaker Lee Seok-hyun, former Saenuri Party leader Kim Moo-sung, and former Democratic Party leader Son Hak-kyu. Seoul Mayor Oh Se-hoon, Minister of Planning and Budget Park Hong-keun, and People Power Party floor leader Jeong Jeom-sik also sent floral tributes to express their condolences.The funeral committee is chaired by Kwon No-gap, chairman of the Kim Dae-jung Foundation, along with Kim Deok-ryong, chairman of the Kim Young-sam Democratic Center, and Jeong Dae-cheol, chairman of the Korea Constitutional Society. The funeral will be conducted by the Korea Constitutional Society and the 4.19 Revolution Veterans Association, with Democratic Party leader Kim Min-seok and People Power Party leader Jang Dong-hyuk serving as co-chairs.Reflections on Chois commitment to the democracy movement and his unwavering loyalty to former President Kim Young-sam were shared at the funeral home.Jeong Dae-cheol recounted to Yonhap News an anecdote from 1978 when he and Choi met with Cardinal Kim Soo-hwan. At that time, Choi expressed confidence that the end of the Park Chung-hee regime was near, demonstrating his belief in democracy. Jeong remembered Choi as a “truly human person” who spoke his mind even to YS when he felt it was necessary.Chois son, Choi Je-wan, recalled that while his father was strict as a politician, he was warm-hearted towards his family. He shared that his father endured torture and house arrest under the Park and Chun regimes and learned during a medical examination in Germany after his stroke that his aorta had ruptured, which he believed was a consequence of the torture.The son also highlighted his fathers deep loyalty to Kim Young-sam, noting that even when he struggled to maintain his balance, he visited Kim every January 1 until the former presidents passing, demonstrating his commitment to their political bond.Independent lawmaker Han Dong-hoon, who has emphasized the legacy of the YS spirit, also visited the funeral home to pay his respects. He stated, “He devoted himself to protecting democracy during truly harsh times,” adding that without Choi Hyung-woo, South Koreas democracy would have been delayed.Chois funeral will be held over three days, with the burial scheduled for 8 a.m. on October 27 at the National 4.19 Democracy Cemetery.* This article has been translated by AI. October 24, 2026 19
  • Prime Minister Han Seung-soo Calls for Clear Investigation into Itaewon Tragedy
    Prime Minister Han Seung-soo Calls for Clear Investigation into Itaewon Tragedy Prime Minister Han Seung-soo expressed deep apologies to the families of victims and those affected by the Itaewon tragedy as the fourth anniversary approaches, promising a thorough investigation and accountability at the national level.According to Newsis and Yonhap, Han made these remarks on the afternoon of October 24 during a memorial event held at Seoul City Hall Square for the fourth anniversary of the Itaewon tragedy. On behalf of the government, I would like to extend my heartfelt apologies once again to the families of the victims and those affected, she stated.Han emphasized that the nations commemoration must involve uncovering the truth and reforming systems to prevent similar tragedies in the future, vowing, We will ensure that the truth is clearly revealed. She added, We will provide all necessary support and cooperation to ensure thorough investigations by the special investigation committee and law enforcement agencies.She acknowledged that the governments response and accountability have not met the expectations of the victims families. Han noted that a joint government audit last year revealed systemic failures in the response framework and inadequate disciplinary actions against those responsible, admitting that the government has not sufficiently addressed the urgent calls for accountability from the families.The tragedy is not over yet, she said. There is still work to be done to fully uncover the truth and fulfill our remaining responsibilities.Han also proposed support measures for the healing and recovery of the victims families. She stated that the government would collaborate with local authorities and civil society to establish memorial facilities and support the creation of a foundation to honor the victims. Additionally, she pledged to preserve and convey the lessons learned from the tragedy while thoroughly improving disaster prevention and response systems.While I cannot fully grasp the weight of the sorrow of losing a loved one, I will not leave your grief solely to you, Han promised, vowing to listen to their voices and fulfill the governments responsibilities to the end.Meanwhile, the government established a joint investigation team in July of last year to investigate the causes of the tragedy and any secondary harm to victims and their families. Currently, a separate investigation team has been formed within the National Police Agency to continue related investigations.* This article has been translated by AI. October 24, 2026 19
  • Heavy Rainfall in Jeju Causes Flooding and Flight Disruptions
    Heavy Rainfall in Jeju Causes Flooding and Flight Disruptions As Typhoon Champi approaches, Jeju has experienced heavy rainfall over the past two days, leading to flooding in greenhouses and other damages. Flight operations have also been disrupted, with heavy rain, strong winds, and rough seas expected to continue in Jeju until the 25th.According to Yonhap News, as of 6 p.m. on the 24th, the cumulative rainfall at Hallasans Samgakbong reached 209 mm. Other significant rainfall totals included 195.5 mm at Jindallaebat, 191 mm at Witseoreum, 188.5 mm at Seongpanak, and 175 mm at Sajeobi.In the mid-mountain areas, cumulative rainfall was recorded at 191 mm in Sancheondan, 177 mm in Songdang, 169 mm in Wasan, and 163 mm in Odeung. Coastal areas saw 169.5 mm in Pyoseon, with 166 mm in Daehul, 164.2 mm in Seongsan, 154.5 mm in Gimnyeong, and 124.8 mm in Seogwipo.The heavy rain and strong winds have caused several incidents. The Jeju Fire Safety Headquarters reported four damage reports as of today. At around 7:40 a.m., a manhole overflowed on a road in Samyang-dong, Jeju City, and at 2:40 p.m., drainage issues occurred on a road in Hwabukil-dong. At 3:30 p.m., a greenhouse in Iho-dong, Jeju City, was flooded. The previous evening, at around 9 p.m., a central divider on a road in Hwabukil-dong was knocked down by strong winds. Air and sea transportation have also been affected. At Jeju International Airport, in addition to 16 flights that were canceled in advance, four flights were canceled today, and 121 flights were delayed. Most passenger ferries connecting Jeju with other regions were also canceled or suspended. The Songrim Blue Ocean ferry to Wando via Chuja Island and the Santa Monica ferry to Jindo were canceled, while the Hanil Gold Stella ferry to Wando and the Queen Mary ferry to Mokpo operated normally.Rain is expected to continue for the time being. The Korea Meteorological Administration forecasts an additional 80 to 150 mm of rain in Jeju by tomorrow morning, with some mountainous and mid-mountain areas possibly receiving over 200 mm. Strong winds and high waves are also anticipated.In particular, due to the influence of Typhoon Champi, a wave warning for the southern outer seas of Jeju may be upgraded to a typhoon warning by the morning of the 25th.The Korea Meteorological Administration has advised against entering Hallasan trails, oreums, and coastal and mountainous Olle trails, urging caution regarding lowland flooding, river overflow, and swift currents. They also warned that high waves could crash onto beaches and over coastal rocks and breakwaters, advising the public to avoid coastal areas and remain vigilant against safety accidents.* This article has been translated by AI. October 24, 2026 18
  • Budget Cuts Reduce Memorial for Fallen Firefighters to 60 Attendees
    Budget Cuts Reduce Memorial for Fallen Firefighters to 60 Attendees A memorial event honoring fallen firefighters in Gyeonggi Province was significantly scaled back due to a complete budget cut. Last years event attracted over 5,500 participants, while this year only about 60, including bereaved families and fire officials, attended.According to Yonhap News Agency, the 2nd Gyeonggi Fire 119 Memorial Day was held on October 24 at the auditorium of the Gyeonggi Fire and Disaster Headquarters in Suwon. This years event was conducted with a budget of approximately 7.5 million won, drawn from the fire departments administrative expenses, after the provincial government cut the related budget of 100 million won during the process of drafting a supplementary budget to overcome a financial crisis.As a result, programs for the general public were excluded, and the event was reduced to a two-hour ceremony focused on bereaved families and a flower-laying tribute. Attendees included 14 bereaved family members of fallen firefighters, Governor Choo Mi-ae, and other fire officials. Participants watched a memorial video for the fallen firefighters before laying flowers, lighting incense, and observing a moment of silence at Haetae Park within the Gyeonggi Fire and Disaster Headquarters.In her memorial address, Governor Choo promised to strengthen safety measures for firefighters and improve their treatment. She stated, The lives that firefighters must protect include their own. Both those waiting for rescue and those going to save them must return safely to their families. She emphasized the need to incorporate feedback from the field into safety measures and pledged to ensure that the treatment and respect for firefighters are improved.The difference in scale compared to the first event held on October 19 last year is stark. At that time, Gyeonggi Province invested 100 million won to operate a seven-hour memorial and experiential program at the fire station and surrounding grassy area. The event featured portraits of 13 fallen firefighters, a memorial walk, a childrens drawing contest, and hands-on experiences with emergency response and firefighting equipment. Approximately 5,500 people, including 12 bereaved families, participated in the event.Jeong Yong-woo, chairman of the Future Fire Union, emphasized the need to expand the memorial for fallen firefighters. He stated, The memorial event honoring the families of fallen firefighters and recognizing the sacrifices of their colleagues must be expanded and strengthened. This serves as a source of pride for current firefighters and can motivate them to face challenging situations in the field.* This article has been translated by AI. October 24, 2026 18